Jazz

목차 (Table of Contents)

• CONTENTS
• Listening Guides = ⅴ
• Recorded Demonstrations = ⅶ
• Photographs = ⅸ
• Preface = xi
• 1 Listening to Jazz = 3
• What is Jazz? = 3
• Critical Listening = 6
• Listening Techniques = 6
• What to Listen for in Jazz = 6
• Listening Guidelines = 9
• Summary = 10
• For Further Study = 10
• Notes = 10
• 2 Jazz Heritages = 13
• African and European = 13
• Music from Africa = 15
• African Rhythms = 15
• Call and Response = 16
• European Influences = 16
• African Americans in the Early Colonies = 16
• Congo Square = 16
• Creole Music = 16
• Field Hollers (Cries) = 17
• Work Songs = 18
• Religious Music = 18
• Mahalia Jackson and the African American Church = 20
• Marching Bands = 22
• Summary = 23
• For Further Study = 24
• Additional Reading Resources = 24
• Notes = 24
• 3 The Blues = 27
• The Origin = 27
• Blue Notes = 28
• Blues Lyrics = 28
• Country and Urban Blues = 31
• Singing the Blues = 32
• Gospel and Liturgical Jazz = 37
• Summary = 38
• For Further Study = 39
• Suggested Additional Listening = 39
• Additional Reading Resources = 39
• Notes = 40
• 4 Ragtime (1900-1917) = 43
• The Birth of Ragtime = 43
• Stride Piano = 47
• Ragtime Lives On = 49
• Summary = 50
• For Further Study = 50
• Suggested Additional Listening = 50
• Additional Reading Resources = 50
• Notes = 50
• 5 Dixieland (1900-1920s) = 53
• Early New Orleans Dixieland (1900-1920) = 53
• Louis Armstrong (1901-1971) = 58
• Chicago Style Dixieland (the 1920s) = 60
• Summary = 66
• For Further Study = 66
• Suggested Additional Listening = 66
• Additional Reading Resources = 67
• Notes = 67
• 6 Boogie-Woogie (the 1920s and 1930s) = 71
• Ostinato Bass = 71
• The Players = 72
• Origin = 73
• Summary = 73
• For Further Study = 73
• Suggested Additional Listening = 73
• Additional Reading Resources = 73
• Notes = 73
• 7 Swing (1932-1942) = 77
• Beginnings of the Swing Era = 78
• Jazz Arrangements = 78
• New York = 79
• Kansas City = 80
• Swing Becomes Accepted = 82
• The Swing Bands = 84
• Big Band Soloists = 88
• Swing Combos = 91
• The Demise of Swing = 94
• Big-Band Legacy = 94
• Summary = 97
• For Further Study = 97
• Suggested Additional Listening = 97
• Additional Reading Resources = 98
• Notes = 98
• 8 Bop (1940-1950) = 101
• The Shift to Bop = 101
• Bop Arranging = 102
• Musical Expansion = 102
• The Bop Rhythm Section = 103
• The Performers = 103
• Bop and Progressive Big Bands = 109
• Summary = 111
• For Further Study = 113
• Suggested Additional Listening = 113
• Additional Reading Resources = 114
• Notes = 114
• 9 Cool (1949-1955) = 117
• The Ingredients of Cool = 118
• Cool Bands = 120
• The Performers = 120
• West Coast Jazz = 123
• Summary = 125
• For Further Study = 126
• Suggested Additional Listening = 126
• Additional Reading Resources = 126
• Notes = 126
• 10 Hard Bop, Funky／Straight-Ahead Jazz (circa 1954- ) = 129
• The Music = 130
• Gospel Jazz = 130
• The Performers = 130
• Neoclassical Jazz／Straight-Ahead Jazz = 136
• Contemporary Jazz Singers = 140
• Summary = 140
• For Further Study = 140
• Suggested Additional Listening = 141
• Additional Reading Resources = 142
• Notes = 142
• 11 Free Form, Avant-Garde = 145
• Ornette Coleman = 146
• Cecil Taylor = 149
• John Coltrane (1926-1967) = 150
• Chicago Style of Free Jazz = 154
• Contemporary Avant-Garde = 157
• The Free Jazz Controversy = 158
• Summary = 159
• For Further Study = 159
• Suggested Additional Listening = 159
• Additional Reading Resources = 159
• Notes = 160
• 12 Crossover, Third Stream, Latin Jazz = 163
• Third Stream = 164
• Jazz in Classical Composition = 165
• Latin Jazz = 167
• Summary = 168
• For Further Study = 168
• Suggested Additional Listening = 168
• Additional Reading Resources = 168
• Notes = 168
• 13 Crossover, Jazz Fusion = 171
• Early Jazz Rock = 171
• Fusion = 174
• Jazz : A New Popularity = 181
• Vocal Jazz = 182
• Jazz／Pop = 184
• Jazz／Pop Blend = 185
• Jazz in Rock = 185
• Summary = 186
• For Further Study = 186
• Suggested Additional Listening = 186
• Additional Reading Resources = 187
• Notes = 187
• Appendix A Listening Suggestions = 189
• Appendix B Notational Examples = 199
• Glossary = 213
• Bibliography = 219
• Index = 223