〈개그 콘서트〉의 웃음의 형식적 특성 = ‘대화가 필요해’를 중심으로-〈개그야〉와 비교

다국어 초록 (Multilingual Abstract)

Recently TV comedy program keeps its firm footing in each TV broadcasting station, increasing its attractions to the audience, It creates, even, social vogue words. One example is We need Dialogue produced by KBS TV 2. This program has been on the air one and half years from 2006 till in November 2008. This paper aims to look into the qualities of laughter in PSL.
1. Narrative Structure:
Kim Dae-Hee father and his wife Bong-Sun Shin mother and their sun Dong-Min Chang play the major roles with the third visiter showing up in the middle part.
Father, authentic in character with his son who is a little handsome and protesting, give a hard time to his wife(to mother). As a result, mother's comprehension, representation of her internal, overlook their frolicsome false.
2. The basic plot here is that the husband and son are giving hard times to the mother(and his wife).
3. The show pattern is formatic conte performance.
4. The Paradigmatic Analysis:
ㆍ Oppositional Perspective: The son with his father, is in binary opposition to his mother(wife).
ㆍ Resemblance: The son and his father are not enough in their daily life. They make many mistakes as a driver and high school student. On the behalf, they, son and husband in family life, follow his mother(his wife) obediently.
5. We need Dialogue was able to gain its attraction through its warm approaches to the audience by means of binary opposition between two parts: son with father and mother who are in lack of strictness in their daily life.
This is a social or a family comedy for amusement with laugh representing mother's rigidness of normal Korean family. Mother, generally not well educated but has wisdom. Normal Korean family is maintained peace by mother(wife).