正祖의 當代 臣僚 文集 命刊에 대한 연구 - 『雷淵集』, 『江漢集』, 『保晩齋集』, 『樊巖集』을 중심으로 - = A Study on the Background and the Process of King Jeongjo’s Publishing His Official’s Collections of Work - Especially on Noeyeonjip, Ganghanjip, Bomanjaejip and Beonamjip -

다국어 초록 (Multilingual Abstract)

This study investigated the background and the process of King Jeongjo’s publishing his official’s collections of work, especially on Nam Yu-Yong’s Noeyeonjip, Hwang Gyeong-Won’s Ganghanjip, Seo Myeong-Eung’s Bomanjaejip and Chae Jae-Gong’s Beonamjip, all of which were ordered to be published by King Jeongjo.
All of them had taught Jeongjo as a royal tutor while Jeongjo was a prince. Three of them had represented national literature as the Head of the Royal Academy. One of them had help Jeongjo make a significant contribution to state affairs as a prime minister. The tradition that officially publish one’s collections of work, who served as a royal tutor and the Head of the Royal Academy, was derived from Nam Yu-Yong’s Noeyeonjip, and was passed down to Hwang Gyeong-Won’s Ganghanjip and Seo Myeong-Eung’s Bomanjaejip.
Works of Nam Yu-Yong and Hwang Gyeong-Won were so elegant and sincere that there was a lot of accord with Jeongjo’s policy trying to restore people’s style of writing fallen into decadence. Seo Myeong-Eung immensely helped Jeongjo with his academic talent when Jeongjo compiled and published various books so as to consolidate the foundation of the throne at the initiatory stage of Guyjanggak. Jeongjo was so impressed by Chae Jae-Gong’s consistent protection for Prince Sado, who was Jeongjo’s father, that he especially selected Chae Jae-Gong as a prime minister. Chae Jae-Gong successfully assisted Jeongjo’s policy in various categories.
It took about 3years for Noeyeonjip and Ganghanjip to be published from Jeongjo’ order. On the contrary, Bomanjaejip and Beonamjip were privately published after Jeongjo passed away. The publication of Bomanjaejip and Beonamjip took a long time due to the political obstacles that occurred shortly after Jeongjo passed away.
In case of Noeyeonjip and Ganghanjip, Jeongjo read both of them and ordered to publish after the writers passed away. Bomanjaejip and Beonamjip, on the other hand, were read and given a panegyrical poem by Jeongjo during writer’s life time. Jeongjo ordered to publish Bomanjaejip and Beonamjip as soon as the writers passed away. Ganghanjip had a lot of content that were strongly opposing Qing. Jeongjo was concerned that Ganghanjip might have bring about diplomatic conflicts between Joseon and Qing, so he did not write prefaces for Ganghanjip. Since Bomanjaejip and Beonamjip could not be published during Joseon’s life time, there are no Jeongjo’s prefaces, only panegyrical poems written by Jeongjo.
Nam Yu-Yong’s descendants wanted to print only 40-50 sets for private use at the time of printing Noeyeonjip, because they were not afford enough. On that basis, it can be assumed that more than 50 sets for private use were generally printed at least when a collection of work was published under the orders of King during the Joseon dynasty. According to Jeongjo’s memorandum, 23 sets for official use were generally printed at the time of printing Ganghanjip. It can also assume how many sets of collection of work for official use were generally printed.

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