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    사회, 정치적 그리고 문학적 역학구도 속에서 허만 멜빌의 『마디』 읽기 = Reading of Herman Melville`s Mardi according to Social, Political, and Literary Dynamics

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    https://www.riss.kr/link?id=A82449010

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Herman Melville`s Mardi is regarded as “open text” which implies infinite interpretation is possible. Consideration of literature as a field of social science, and recognition of the social function of literature makes the reading of literature in society possible. This paper attempts to investigate the relationship between art and society by penetrating the cohesion between the inner meaning and outer presentation of the text, on the basis of work`s intertextuality. The reading of Mardi according to social, political and literary dynamics reveals Melville`s main concerns with mid-19th century society. Melville, who was in the center of the social and political scene at that time, uses Mardi as a strategy representing the political situation at that time. The Vivenza episode in Mardi is representative of political allegory, and plays an important role in fulfilling Melville`s intention to express his satirical view of mid-19th century society and furthermore, on the future American society. Making an allusion to Lombardo, an epic poet, who completed `Koztanza,` proves that Melville views the birth of national literature showing America`s own national identity from an optimistic light.
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    Herman Melville`s Mardi is regarded as “open text” which implies infinite interpretation is possible. Consideration of literature as a field of social science, and recognition of the social function of literature makes the reading of literature in...

    Herman Melville`s Mardi is regarded as “open text” which implies infinite interpretation is possible. Consideration of literature as a field of social science, and recognition of the social function of literature makes the reading of literature in society possible. This paper attempts to investigate the relationship between art and society by penetrating the cohesion between the inner meaning and outer presentation of the text, on the basis of work`s intertextuality. The reading of Mardi according to social, political and literary dynamics reveals Melville`s main concerns with mid-19th century society. Melville, who was in the center of the social and political scene at that time, uses Mardi as a strategy representing the political situation at that time. The Vivenza episode in Mardi is representative of political allegory, and plays an important role in fulfilling Melville`s intention to express his satirical view of mid-19th century society and furthermore, on the future American society. Making an allusion to Lombardo, an epic poet, who completed `Koztanza,` proves that Melville views the birth of national literature showing America`s own national identity from an optimistic light.

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    참고문헌 (Reference)

    1 Melville, Herman, "The Piazza Tales and Other Prose Pieces 1839-1860" Northwestern UP 1987

    2 Leyda, Jay, "The Melville Log: A Documentary Life of Herman Melville: 1819-1891" Gordian P 1969

    3 Zimmerman, Brett, "The Cosmic Drama of Mardi" 16 (16): 29-42, 1990

    4 Sumner, D. Nathan, "The American West in Melville’s Mardi and The Confidence-Man" 36 : 37-49, 1968

    5 Rogin, Michael Paul, "Subversive Genealogy: The Politics and Art of Herman Melville" U of California P 1985

    6 Heimert, Alan, "Moby-Dick and American Political Symbolist" 15 (15): 498-534, 1963

    7 Wenke, John, "Melville’s Muse: Literary Creation & the Forms of Philosophical Fiction" Kent State UP 1995

    8 Melville, Herman, "Mardi, and a Voyage Thither" The Library of America 1982

    9 Ziff, Larzer, "Literary Democracy: The Declaration of Cultural Independence in America" Viking P 1981

    10 Bajerjee, Mita, "Civilizational Critique in Herman Melville’s Typee, Omoo, and Mardi" 48 (48): 207-225, 2003

    1 Melville, Herman, "The Piazza Tales and Other Prose Pieces 1839-1860" Northwestern UP 1987

    2 Leyda, Jay, "The Melville Log: A Documentary Life of Herman Melville: 1819-1891" Gordian P 1969

    3 Zimmerman, Brett, "The Cosmic Drama of Mardi" 16 (16): 29-42, 1990

    4 Sumner, D. Nathan, "The American West in Melville’s Mardi and The Confidence-Man" 36 : 37-49, 1968

    5 Rogin, Michael Paul, "Subversive Genealogy: The Politics and Art of Herman Melville" U of California P 1985

    6 Heimert, Alan, "Moby-Dick and American Political Symbolist" 15 (15): 498-534, 1963

    7 Wenke, John, "Melville’s Muse: Literary Creation & the Forms of Philosophical Fiction" Kent State UP 1995

    8 Melville, Herman, "Mardi, and a Voyage Thither" The Library of America 1982

    9 Ziff, Larzer, "Literary Democracy: The Declaration of Cultural Independence in America" Viking P 1981

    10 Bajerjee, Mita, "Civilizational Critique in Herman Melville’s Typee, Omoo, and Mardi" 48 (48): 207-225, 2003

    11 Reynolds, David S, "Beneath the American Renaissance: The Subversive Imagination in the age of Emerson and Melville" Harvard UP 1989

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    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2018-12-01 등재 등재후보로 하락 (계속평가) KCI등재후보
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2013-09-13 학회명변경 한글명 : 미국문학회 -> 미국소설학회
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    2013-03-25 학회명변경 한글명 : 미국소설학회 -> 미국문학회
    영문명 : The American Fiction Association of Korea -> The American Literature Association of Korea
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    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
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    2005-03-23 학술지삭제 삭제승인 KCI등재후보
    2005-01-18 학회명변경 한글명 : 한국호손학회 -> 호손과미국소설학회 KCI등재후보
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    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.18 0.18 0.18
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.16 0.16 0.564 0.09
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