기획논문 : 한(韓) 중(中) 유학(儒學)의 전통(傳統)과 변화(變化) ; 簡論陳淳的禮樂思想 = A Brief Comment on Chen Chun(陳淳)`s Rite-Music Thought

국문 초록 (Abstract)

陳淳的禮樂實踐直接紮根於鄕村社會，關注重心在於家庭禮儀及州縣祭祀禮儀。陳淳的禮樂思想綜合了周敦이、二程、張載、朱熹等宋代理學家的禮樂思想，對禮與理、禮與心、禮與仁、禮與欲等關系都深入進行了探討，同時注重回歸漢唐禮學經義，强調禮之秩序、差等、中和等涵義，實爲集大成的帶有鮮明理學化特色的禮樂思想。

다국어 초록 (Multilingual Abstract)

Chen Chun(陳淳)`s ritual and musical practice directly rooted in rural society, focusing on family etiquette and sacrificial rites of county. Chen Chun`s thoughts of rites and music integrated the thought of Neo- Confucianism in the Song Dynasty advocated by Zhou Dun-yi, Cheng brothers, Zhang Zai, Zhu Xi and so on. Chen Chun discusses deeply on rite and principle, rite and heart, rite and benevolence, rite and desire, and other relations. He pays attention to returning to the ritual classical significance of the Han Dynasty and the Tang Dynasty, emphasizing the ceremony of the order, difference, and meaning. His thought of rites and music is integrated with a distinctive feature of Neo-Confucianism.