There are facts revealed in many literary historical evaluations and studies. Novels and movies were the subject of more interest and evaluation than poetry among Shimhoon's works. It is possible to speculate that poetry was a secondary and secondary ...
There are facts revealed in many literary historical evaluations and studies. Novels and movies were the subject of more interest and evaluation than poetry among Shimhoon's works. It is possible to speculate that poetry was a secondary and secondary object of creation for Shimhoon. There are many works that deviate from the perspective of Shimhoon's poetry evaluation that we knew. There are still many unknown works that reveal the other side of Shimhoon that we did not know, and the inner scenery of Shimhoon that was not revealed. This cannot be concealed. This should not be concealed. In order to know the full nature of a poet, we focus on new aspects that were not seen in existing evaluations. Shimhoon's poem has two characteristics that reveal the characteristics of the patriot and the characteristics of the the young. This paper identifies these characteristics as 'patriot-outer face' and 'the young-inner face'. It is the structure of the thesis's subject word 'dualism'. The loneliness that resonates inside Shimhoon, who intends to devote his whole body to patriotism, expresses Shimhoon's ego. He was also an ordinary young man. The stronger the hope, the stronger the despair. The more fervent the cry, the colder it sinks. Two ambivalent emotions dualize Shimhoon's poem. For Shimhoon, poetry was an object that revealed the waves of emotion he felt. His poems are composed of 'fierce and frenzy'. Behind the scenes, there is a clear hope and sigh.