Ghostly fragments : essays on Shakespeare and performance

목차 (Table of Contents)

• CONTENTS
• List of Illustrations = vii
• Acknowledgments = ix
• Introduction / Peter Holland = 1
• Ⅰ Teaching Shakespeare = 7
• Introduction / Miriam Gilbert = 7
• Bernie on Hamlet = 10
• Making Changes / Making Sense = 13
• The Last Shakespeare Picture Show or Going to the Barricades = 24
• Ⅱ Analyzing Stage Performances = 39
• Introduction / W. B. Worthen = 39
• Rehearsal Process as Critical Practice : John Barton's 1978 Love's Labour's Lost = 42
• Making It New : Katie Mitchell Refashions Shakespeare-History = 70
• Re-Incarnations = 89
• I Sing the Body Artifactual : Prologue, Meditations, and Jig = 108
• Un-Marking, Re-Marking, and Difference = 117
• Ⅲ Editing Shakespeare Texts = 129
• Introduction / Margaret Jane Kidnie = 129
• Dream Talk = 132
• Who Is Performing "in" These Text(s)? ; Or, Shrew-Ing Around = 146
• New Collaborations with Old Plays : The (Textual) Politics of Performance Commentary = 158
• Ⅳ Analyzing Shakespeare Films = 173
• Introduction / Richard Abel = 173
• Kozintsev's King Lear. Filming a Tragic Poem = 176
• Replicating Richard : Body Doubles, Body Politics = 186
• William Shakespeare's Romeo + Juliet Everything's Nice in America? = 210
• The Shakespearean Phonograph = 226
• Ⅴ "Shopping" In The Shakespeare Archives = 239
• Introduction / Pascale Aebischer = 239
• Bride-ing the Shrew : Costumes That Matter = 242
• (You)Tube Travel : The 9 : 59 to Dover Beach, Stopping at Fair Verona and Elsinore = 261
• Spectral Traces in the Archive = 278
• Paper Worlds : A Story of Things Left Behind = 289
• Published Writings / Barbara C. Hodgdon = 307
• Contributors = 311
• Index = 313