여성시문집의 간행과 19세기 경화사족의 욕망 -『정일당유고』의 간행을 중심으로- = Publishing of a Lady`s collection & ruined nobles` desires in early 19th century

다국어 초록 (Multilingual Abstract)

Publishing of a scholastic lady`s collection of literary works is contradictory to the Confucian ideology which restricts women`s social activities. Women`s collections of literary works published in spite of this contradiction are the very spot where various ideologies conflict with desires. This paper intended to survey the specific aspects of that conflict through the publishing process of `Jeongildang yugo`(『靜一堂遺稿』) published in early 19th century. Gwang-yeon Yun(尹光演), her husband, brings Jeongildang Gang(姜靜一堂) into a `female Sung Confucianist(女性性理學者)` and also brings his family into `literary family` through `Jeongildang yugo`. In addition, by adding the poems of men out of the family who remembered Jeongildang Gang as an appendix, he displays the social ties of his family. That is, Gwang-yeon Yun is using `Jeongildang yugo` to make sure of his family`s social position. Publishing collections of literary works was commonly used by ruined nobles in order to preserve their families in the late Joseon(朝鮮) Dynasty. `Jeongildang yugo` shows that that kind of thing was done even by women. While, Gwang-yeon Yun`s editing style is directly opposite to the virtue to `hide their names` that women from noble classes should have. Accordingly, Gwang-yeon Yun makes Jeongildang Gang a person who earned the social respect, and on the other hand, describes her as a person who thoroughly kept `women`s virtues`. Even the men out of the family mobilized in publishing `Jeongildang yugo` joined him in bringing Jeongildang Gang into a `female Confucianist` while recalling that the publishing is contrary to the `women`s virtues`. All of this is attributed to Seoul cultural area in early 19th century where Gwang-yeon Yun belonged. That is, the atmosphere that women`s talents were positively recognized and women`s literary activities extending to the outside of family were not restrained was created in Seoul cultural area in early 19th century. That atmosphere in Seoul cultural area was the background that Gwang-yeon Yun`s desire could be satisfied.

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