월터 그로피우스의 작품특성에 관한 연구 = A Study on the Design W orks Characteristics of Walter Gropius

다국어 초록 (Multilingual Abstract)

The purpose of this study is to analyze the architectural manifesto and design works characteristics of Walter Gropius. He was the director of Weimar Bauhaus that one of the advanced artificial movements in the early modern period. The almost of the early modern movements was related ideology and the manifesto. Especially Bauhaus originated from manifesto of artists teaching group with architect Walter Gropius.
Therefore, the category of the study pitch upon Bauhaus architectural manifesto-Bauhaus Manifesto and Programme(1919)-and the representative works of Walter Gropius-Farus Factory(1911-14), Dassau Bauhaus Building (1925-26), Siedlung Berlin-Siemensstadt(1929-30) and Harvard Graduate Center(1949), The conclusions of the study as per the above mentioned purpose are the dynamic integration by non symmetry in cubic form and organic continuity by reciprocality in transparent space.

목차 (Table of Contents)

• Abstract 1
• Ⅰ. 서론 2
• Ⅱ. 그로피우스 건축이념의 형성배경 및 전개 3
• 2.1. 그로피우스 건축이념의 형성 배경 3
• 2.2. 바우하우스와의 관계 4
• 2.3. 건축선언 내용 5
• (1) 바우하우스 선언문 6
• (2) 바우하우스 프로그램 6
• Ⅲ. 그로피우스 건축의 작품특성 7
• 3.1. 작품 분석 7
• (1) 파구스 공장(Fagus Factory, 1911-1914) 7
• (2) 뎃사우 바우하우스 교사(Dessau Bauhaus Building, 1925-26) 8
• (3) 다머스톡 집합주거 단지(Dammerstock Housing Delopment, 1927-28) 8
• (4) 베를린-지멘슈타트지구 계획(Siedlung Berlin-Siemensstadt, 1929-30) 9
• (5) 하버드 대학원 센터 (Harvard Graduate Center, 1949) 9
• 3.2. 작품 특성 10
• (1) 형태적 특성 10
• (2) 공간적 특성 11
• Ⅳ. 결론 11
• 참고 문헌 13