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    최승자 시 연구 - 시의식의 표현 양상을 중심으로 = A Study of Choi Seung-Ja’s Poems - Based on Methods of Expressing the Consciousness of poems

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    https://www.riss.kr/link?id=A104191661

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Choi Seung-Ja started her literary career through writing ‘Love of this
    time’ and four other poems in quarterly publication magazine ‘literature and
    intelligence’ in 1979. She has been considered a poet who opened a new
    prospect in the field of poetic expression by making a new attempt through
    abandoning the existing female poets’ traditional lyric expression and
    suggesting a new viewpoint on facing the facts. The purpose of this
    study is to help understand Choi Seung-Ja’s poems through studying death
    and alienation expressed in her poems. Her representative writing methods
    are as follows.
    First, she uses the image of death to depict love. She makes use of the
    detailed death image to bring the memory of already-gone painful love to
    the present. She also calls attention to the meaning of love which is painful
    but still ongoing by regenerating the present aspects of love as factual and
    detailed image.
    Second, she incarnates the consciousness of poems by the image of
    body. One of the remarkable features which appear in Choi’s poems is to express her vision of poems through physical thought and image about
    bodies. As for a poet, a body is not outward appearance of the mind, but
    concrete reality on which life is based. We cannot communicate with the
    outer world without through bodies. Choi regards a body as truth which
    cannot be erased and the only way to meet the world. A poet deepens the
    reality of truth which he or she desires by the use of body image.
    Third, she deepens themes using the negative speech. In many cases,
    poets describe ironically the tragic awareness of the present situation and
    existence, which is a way of exaggerating the poetic meaning effectively
    by opposite expressions of what they really want to say. Choi not only
    accepts this ironical expression as an antinomic statement but also reflects
    her attitude toward life in which she wants to get over such a confusing
    situation.
    I hope this study of Choi Seung-Ja’s methods of expressing the
    consciousness of poems will help understand poets’ mind.
    번역하기

    Choi Seung-Ja started her literary career through writing ‘Love of this time’ and four other poems in quarterly publication magazine ‘literature and intelligence’ in 1979. She has been considered a poet who opened a new prospect in the field o...

    Choi Seung-Ja started her literary career through writing ‘Love of this
    time’ and four other poems in quarterly publication magazine ‘literature and
    intelligence’ in 1979. She has been considered a poet who opened a new
    prospect in the field of poetic expression by making a new attempt through
    abandoning the existing female poets’ traditional lyric expression and
    suggesting a new viewpoint on facing the facts. The purpose of this
    study is to help understand Choi Seung-Ja’s poems through studying death
    and alienation expressed in her poems. Her representative writing methods
    are as follows.
    First, she uses the image of death to depict love. She makes use of the
    detailed death image to bring the memory of already-gone painful love to
    the present. She also calls attention to the meaning of love which is painful
    but still ongoing by regenerating the present aspects of love as factual and
    detailed image.
    Second, she incarnates the consciousness of poems by the image of
    body. One of the remarkable features which appear in Choi’s poems is to express her vision of poems through physical thought and image about
    bodies. As for a poet, a body is not outward appearance of the mind, but
    concrete reality on which life is based. We cannot communicate with the
    outer world without through bodies. Choi regards a body as truth which
    cannot be erased and the only way to meet the world. A poet deepens the
    reality of truth which he or she desires by the use of body image.
    Third, she deepens themes using the negative speech. In many cases,
    poets describe ironically the tragic awareness of the present situation and
    existence, which is a way of exaggerating the poetic meaning effectively
    by opposite expressions of what they really want to say. Choi not only
    accepts this ironical expression as an antinomic statement but also reflects
    her attitude toward life in which she wants to get over such a confusing
    situation.
    I hope this study of Choi Seung-Ja’s methods of expressing the
    consciousness of poems will help understand poets’ mind.

    더보기

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Choi Seung-Ja started her literary career through writing ‘Love of this
    time’ and four other poems in quarterly publication magazine ‘literature and
    intelligence’ in 1979. She has been considered a poet who opened a new
    prospect in the field of poetic expression by making a new attempt through
    abandoning the existing female poets’ traditional lyric expression and
    suggesting a new viewpoint on facing the facts. The purpose of this
    study is to help understand Choi Seung-Ja’s poems through studying death
    and alienation expressed in her poems. Her representative writing methods
    are as follows.
    First, she uses the image of death to depict love. She makes use of the
    detailed death image to bring the memory of already-gone painful love to
    the present. She also calls attention to the meaning of love which is painful
    but still ongoing by regenerating the present aspects of love as factual and
    detailed image.
    Second, she incarnates the consciousness of poems by the image of
    body. One of the remarkable features which appear in Choi’s poems is to express her vision of poems through physical thought and image about
    bodies. As for a poet, a body is not outward appearance of the mind, but
    concrete reality on which life is based. We cannot communicate with the
    outer world without through bodies. Choi regards a body as truth which
    cannot be erased and the only way to meet the world. A poet deepens the
    reality of truth which he or she desires by the use of body image.
    Third, she deepens themes using the negative speech. In many cases,
    poets describe ironically the tragic awareness of the present situation and
    existence, which is a way of exaggerating the poetic meaning effectively
    by opposite expressions of what they really want to say. Choi not only
    accepts this ironical expression as an antinomic statement but also reflects
    her attitude toward life in which she wants to get over such a confusing
    situation.
    I hope this study of Choi Seung-Ja’s methods of expressing the
    consciousness of poems will help understand poets’ mind.
    번역하기

    Choi Seung-Ja started her literary career through writing ‘Love of this time’ and four other poems in quarterly publication magazine ‘literature and intelligence’ in 1979. She has been considered a poet who opened a new prospect in the fiel...

    Choi Seung-Ja started her literary career through writing ‘Love of this
    time’ and four other poems in quarterly publication magazine ‘literature and
    intelligence’ in 1979. She has been considered a poet who opened a new
    prospect in the field of poetic expression by making a new attempt through
    abandoning the existing female poets’ traditional lyric expression and
    suggesting a new viewpoint on facing the facts. The purpose of this
    study is to help understand Choi Seung-Ja’s poems through studying death
    and alienation expressed in her poems. Her representative writing methods
    are as follows.
    First, she uses the image of death to depict love. She makes use of the
    detailed death image to bring the memory of already-gone painful love to
    the present. She also calls attention to the meaning of love which is painful
    but still ongoing by regenerating the present aspects of love as factual and
    detailed image.
    Second, she incarnates the consciousness of poems by the image of
    body. One of the remarkable features which appear in Choi’s poems is to express her vision of poems through physical thought and image about
    bodies. As for a poet, a body is not outward appearance of the mind, but
    concrete reality on which life is based. We cannot communicate with the
    outer world without through bodies. Choi regards a body as truth which
    cannot be erased and the only way to meet the world. A poet deepens the
    reality of truth which he or she desires by the use of body image.
    Third, she deepens themes using the negative speech. In many cases,
    poets describe ironically the tragic awareness of the present situation and
    existence, which is a way of exaggerating the poetic meaning effectively
    by opposite expressions of what they really want to say. Choi not only
    accepts this ironical expression as an antinomic statement but also reflects
    her attitude toward life in which she wants to get over such a confusing
    situation.
    I hope this study of Choi Seung-Ja’s methods of expressing the
    consciousness of poems will help understand poets’ mind.

    더보기

    참고문헌 (Reference)

    1 엄경희, "현대시의 발견과 성찰" 보고사 2005

    2 정영자, "한국 여성시인 연구" 평민사 1996

    3 황현산, "포에지, 7호" 나남출판사 2001

    4 최승자, "즐거운 일기" 문학과 지성사 1984

    5 김현, "젊은 시인들의 상상세계/ 말들의 풍경" 문학과 지성사 1992

    6 최승자, "이 시대의 사랑" 문학과 지성사 1981

    7 이광호, "위반의 시학" 문학과 지성사 1993

    8 박혜경, "상처와 응시" 문학과 지성사 1997

    9 김치수, "사랑의 방법, In 이 시대의 사랑 해설" 문학과 지성사 1981

    10 이남호, "문학의 僞足" 민음사 1990

    1 엄경희, "현대시의 발견과 성찰" 보고사 2005

    2 정영자, "한국 여성시인 연구" 평민사 1996

    3 황현산, "포에지, 7호" 나남출판사 2001

    4 최승자, "즐거운 일기" 문학과 지성사 1984

    5 김현, "젊은 시인들의 상상세계/ 말들의 풍경" 문학과 지성사 1992

    6 최승자, "이 시대의 사랑" 문학과 지성사 1981

    7 이광호, "위반의 시학" 문학과 지성사 1993

    8 박혜경, "상처와 응시" 문학과 지성사 1997

    9 김치수, "사랑의 방법, In 이 시대의 사랑 해설" 문학과 지성사 1981

    10 이남호, "문학의 僞足" 민음사 1990

    11 장석주, "문학, 인공 정원" 프리미엄북스 1997

    12 이문재, "내가 만난 시와 시인" 문학동네 2003

    13 최승자, "기억의 집" 문학과지성사 1996

    14 장석주, "20세기 한국 문학의 탐험 4" 시공사 2000

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-03-11 학술지명변경 외국어명 : 미등록 -> Korean Language and Literature KCI등재
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2013-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2011-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    2010-03-01 등재 등재후보 탈락 (기타)
    2008-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2006-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.51 0.51 0.55
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.51 0.5 0.935 0.16
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