입체주의와 상대성이론, 그 유비적 관계 = The Analogical Relation between Cubism and Relativity

국문 초록 (Abstract)

이 논문의 목적은 공간과 시간의 재현 문제를 중심으로 입체주의와 상대성이론 사이의 유비적 관계를 규명하는 것이다. 모더니즘 이전의 서양미술에서 실재를 재현하는 회화적 언어는 르네상스 시대에 발명된 원근법이었다. 르네상스 원근법은 직선적인 동질적 공간을 상정 하는데, 그것은 뉴턴의 절대공간과 마찬가지로 유클리드 기하학의 공간이었다. 상대성이론이 고전 물리학의 공간과 시간 개념을 전복시킨 것처럼, 입체주의는 전통적인 회화의 원근법적 공간을 해체하고 새로운 시각 모델을 창출했다.그것은 비유클리드적 공간을 상정할 뿐 아니라, 다중 시점을 통해 공간과 시간을 결합하고, 모든 시점에서 동등한 자격을 부여함으써 특권적 관찰자의 존재를 인정하지 않는다는 점에서, 양자 사이의 유비적 관계를 확인할 수 있다.

다국어 초록 (Multilingual Abstract)

The aim of this paper is to elucidate the analogical relation between Cubism and Relativity, focusing on the problem of representation of space and time. In Western art before Modernism the language of painting for representing reality was the perspective invented in the Renaissance. The Renaissance perspective assumed a linear homogeneous space, the space of Euclidean geometry, just like Newtonian absolute space. Just as Relativity Theory overturned the concept of space and time in classical physics, Cubism dismantled the perspective space in traditional painting and created a new visual model. It assumes a non-Euclidean space, and combines space and time through multiple points of view, and grants equal qualifications to every point of view and thus does not recognize the existence of a privileged observer. In that, we can find an analogical relation between Cubism and Relativity.

목차 (Table of Contents)

• Abstract
• 국문초록
• Ⅰ. 들어가는 말
• Ⅱ. 새로운 공간 개념
• Ⅲ. 입체주의-상대성 유비
• Ⅳ. 맺는 말
• 참고문헌

참고문헌 (Reference)

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