송대(宋代) 자기(瓷器)에 보이는 영희문(嬰戱紋)의 유형과 전파 = The Type and Spread of Children-playing Design on Song Dynasty's Ceramic

다국어 초록 (Multilingual Abstract)

This study aimed to investigate the acceptance and changed appearance of different types of children-playing designs seen in the ceramics of the Song dynasty after its spread through the Goryeo and Jin dynasty based on key points and subject matter. To this end, it attempted to not only compare ceramics, but also to compare them with paintings and gold and silverware.
The children-playing design, a pattern depicting children playing, it was first implemented as a decorative element in the ceramics of the Dang dynasty’s Changsha Kiln. In the early part of the Song dynasty, they were rarely identified but in the middle period, they began to appear in the Yaozhou Kiln of the northern region and in the Jingdezhen Kiln of the southern region. Afterwards, from the late Song dynasty, their iconography and subject matter, mainly those from the Yaozhou Kiln, began to become more colorful, and during the late North Song dynasty and early South Song dynasty, the children-playing design spread and began to be produced across many kiln sites. The Song dynasty children-playing designs identified in this way can be divided based on their inclusion of flowers, fruit, Buddhism, and folk life, depending on the combination of subject matter, and they contain meanings such as the procreation and prosperity of offspring.
As the children-playing design was spreading, the Jin dynasty and Goryeo were also influenced to produce ceramics featuring the children-playing design, and those of the Jin dynasty had a similar appearance to showing combined subject matter of the former northern Song dynasty. Their composition was also similar. However, it was identified that in the Cizhou Kiln, the style of dress was changed to that of the people in the northern region, and the contemporaneous their paintings unilaterally depicted children’s playing.
In Goryeo, ceramics with children-playing designs began to be produced from after the mid 12th century, and as seen through the combined subject material and the children’s style of dress, those from this period were influenced first by the Yaozhou Kiln and then by the Ding Kiln. Ceramics with Goryeo children-playing designs can be largely divided compositionally based on the style of painting, the use of a single subject matter, and the use of vines. Among them, it was observed that the composition of the designs may have been influenced by Song dynasty paintings and Southern Song dynasty gold and silverware.

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