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    A Comparative Study of Four American Professional Wind Bands.

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    https://www.riss.kr/link?id=T15823666

    • 저자
    • 발행사항

      Ann Arbor : ProQuest Dissertations & Theses, 2020

    • 학위수여대학

      University of Washington Music

    • 수여연도

      2020

    • 작성언어

      영어

    • 주제어
    • 학위

      D.M.A.

    • 페이지수

      168 p.

    • 지도교수/심사위원

      Advisor: Salzman, Timothy.

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study compares the repertoire, business models, and philosophies of four American professional wind bands; Dallas Winds, Lone Star Wind Orchestra, San Diego Winds, and the Royal Hawaiian Band. For the purposes of this study, “professional” is defined as generating sufficient income to pay the performers.The Royal Hawaiian Band is an outlier of professional wind bands because of its history and function. The other three bands perform two to nine concerts per season like the first American orchestras. For these young professional bands to achieve comparable success as current professional orchestras, they should make similar revolutionary leaps (not evolutionary steps) that early American orchestras made to guarantee their performers a full season of concerts, enough to provide a livable income.
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    This study compares the repertoire, business models, and philosophies of four American professional wind bands; Dallas Winds, Lone Star Wind Orchestra, San Diego Winds, and the Royal Hawaiian Band. For the purposes of this study, “professional” i...

    This study compares the repertoire, business models, and philosophies of four American professional wind bands; Dallas Winds, Lone Star Wind Orchestra, San Diego Winds, and the Royal Hawaiian Band. For the purposes of this study, “professional” is defined as generating sufficient income to pay the performers.The Royal Hawaiian Band is an outlier of professional wind bands because of its history and function. The other three bands perform two to nine concerts per season like the first American orchestras. For these young professional bands to achieve comparable success as current professional orchestras, they should make similar revolutionary leaps (not evolutionary steps) that early American orchestras made to guarantee their performers a full season of concerts, enough to provide a livable income.

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