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      TV광고에 나타난 스포츠 스타의 여성성과 이데올로기: 김연아와 장미란 광고에 대한 기호학적 분석을 중심으로 = Representations on sexuality of female sports stars in TV advertisement and their ideological implications: A Semiotic analysis on TV advertisements of two Korean female sports stars

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      https://www.riss.kr/link?id=A99871504

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      The purpose of this study was to figure out how TV advertisements(ads) represented sexuality of female sports stars, what kinds of signs they used to represent it, and what kinds of meanings such signs tended to imply ideologically in Korean society. In Korea, two female sports stars became very famous and welcomed. The one was Yuna Kim, a gold medal holder in figure skating at 2010 Winter Olympic Game, who was skinny and pretty, while the other was Miran Jang, a gold medal holder in female weight lifting at 2008 Summer Olympic Game, who was strong and healthy. The authors were interested in why they were differently treated in the TV ads, what was main content of each of their TV ads, how much different they were, and what such different contents could imply in Korean society. In order to solve these research questions, they collected two ads of each of them at Korean TV stations, 2010, as main research objects. Those ads were divided into linguistic part and image one, and each of parts was analyzed by semiotic research methods, especially, A Signification Model of Signs(SMS) which was recently suggested by Baek. As a result of this study, it was firstly found that there were clear different signs in TV ads between two female stars. Yuna Kim`s ads tended to show ‘skinny body’, ‘pretty face’, ‘erotic movement’, ‘sexual posture’, ‘seduce position’, and ‘childish action’ as important signs, while Miran Jang`s ads usually tended to express ‘healthy body’, ‘solid muscle’, ‘poker face’, ‘repeated weight lifting movement’, ‘manly posture’, and ‘responsible action’ as important signs. Secondly, there were different points of representation between them. The former pointed out ‘femininity’, ‘sexuality’, ‘prettiness’, ‘voluptuous charms’ and ‘sexual stimulus’, as the latter tended to focus on ‘masculinity’, ‘endurance’, ‘fortitude’, ``exertion’ and ‘earnestness’. Thirdly, there were different significations between them through such points of representation at the in-depth level of meaning. Through the Yuna Kim`s ads, it was signified that such pretty and skinny female sport`s star was considered as a sexual iconic figure, a erotic object, a sexual desire and a stimulus of passion. On the other hand, through the Miran`s ads, it was signified that such fat and strong female sport`s star was treated as a sort of androgynous appeal, a heroic figure, a hard worker, and a mentor for young athletes. Through this study, it was concluded ideologically that female sports stars could be signified differently by their pretties, shapes of body and outward appearances in the Korean society, even though they achieved similar kinds of outcomes in the international sports games.
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      The purpose of this study was to figure out how TV advertisements(ads) represented sexuality of female sports stars, what kinds of signs they used to represent it, and what kinds of meanings such signs tended to imply ideologically in Korean society. ...

      The purpose of this study was to figure out how TV advertisements(ads) represented sexuality of female sports stars, what kinds of signs they used to represent it, and what kinds of meanings such signs tended to imply ideologically in Korean society. In Korea, two female sports stars became very famous and welcomed. The one was Yuna Kim, a gold medal holder in figure skating at 2010 Winter Olympic Game, who was skinny and pretty, while the other was Miran Jang, a gold medal holder in female weight lifting at 2008 Summer Olympic Game, who was strong and healthy. The authors were interested in why they were differently treated in the TV ads, what was main content of each of their TV ads, how much different they were, and what such different contents could imply in Korean society. In order to solve these research questions, they collected two ads of each of them at Korean TV stations, 2010, as main research objects. Those ads were divided into linguistic part and image one, and each of parts was analyzed by semiotic research methods, especially, A Signification Model of Signs(SMS) which was recently suggested by Baek. As a result of this study, it was firstly found that there were clear different signs in TV ads between two female stars. Yuna Kim`s ads tended to show ‘skinny body’, ‘pretty face’, ‘erotic movement’, ‘sexual posture’, ‘seduce position’, and ‘childish action’ as important signs, while Miran Jang`s ads usually tended to express ‘healthy body’, ‘solid muscle’, ‘poker face’, ‘repeated weight lifting movement’, ‘manly posture’, and ‘responsible action’ as important signs. Secondly, there were different points of representation between them. The former pointed out ‘femininity’, ‘sexuality’, ‘prettiness’, ‘voluptuous charms’ and ‘sexual stimulus’, as the latter tended to focus on ‘masculinity’, ‘endurance’, ‘fortitude’, ``exertion’ and ‘earnestness’. Thirdly, there were different significations between them through such points of representation at the in-depth level of meaning. Through the Yuna Kim`s ads, it was signified that such pretty and skinny female sport`s star was considered as a sexual iconic figure, a erotic object, a sexual desire and a stimulus of passion. On the other hand, through the Miran`s ads, it was signified that such fat and strong female sport`s star was treated as a sort of androgynous appeal, a heroic figure, a hard worker, and a mentor for young athletes. Through this study, it was concluded ideologically that female sports stars could be signified differently by their pretties, shapes of body and outward appearances in the Korean society, even though they achieved similar kinds of outcomes in the international sports games.

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      참고문헌 (Reference)

      1 정기현, "한국 텔레비전 광고에 나타난 젠더표상의 변화에 관한 연구" 8 : 71-111, 2007

      2 백선기, "텔레비전 문화의 기호학" 커뮤니케이션북스 2002

      3 김승희, "텔레비전 드라마의 갈등 표출과 이데올로기적 의미: 드라마‘아줌마’에 대한 기호학적 분석을 중심으로" 한국기호학회 10 : 157-195, 2001

      4 정기현, "텔레비전 광고속의 여성성과 남성성" 한국방송학회 (9) : 215-250, 1997

      5 김광옥, "지상파텔레비전 광고에 나타난 여성의 이미지: 고정관념 지수(Stereotype Index)를 이용한 성별 스테레오타입 분석" 한국언론학회 51 (51): 453-478, 2007

      6 함해양, "자동차 TV광고에서 나타난 영상기호의 섹슈얼리티 양상 고찰" 성균관대학교 대학원 2005

      7 김상훈, "인터넷 광고에 반영된 여성의 사회적 역할에 관한 내용 연구" 한국광고학회 17 (17): 163-195, 2006

      8 백선기, "영화 그 기호학적 해석의 즐거움" 커뮤니케이션북스 2007

      9 한은경, "여성잡지와 광고:여성잡지의 광고실태와 그 이데올로기" 한국저널리즘학회 9 : 52-57, 1993

      10 박판수, "스포츠인 모델의 광고에 대한 공신력과 태도 및 효과에 관한 연구" 경성대학교 대학원 2000

      1 정기현, "한국 텔레비전 광고에 나타난 젠더표상의 변화에 관한 연구" 8 : 71-111, 2007

      2 백선기, "텔레비전 문화의 기호학" 커뮤니케이션북스 2002

      3 김승희, "텔레비전 드라마의 갈등 표출과 이데올로기적 의미: 드라마‘아줌마’에 대한 기호학적 분석을 중심으로" 한국기호학회 10 : 157-195, 2001

      4 정기현, "텔레비전 광고속의 여성성과 남성성" 한국방송학회 (9) : 215-250, 1997

      5 김광옥, "지상파텔레비전 광고에 나타난 여성의 이미지: 고정관념 지수(Stereotype Index)를 이용한 성별 스테레오타입 분석" 한국언론학회 51 (51): 453-478, 2007

      6 함해양, "자동차 TV광고에서 나타난 영상기호의 섹슈얼리티 양상 고찰" 성균관대학교 대학원 2005

      7 김상훈, "인터넷 광고에 반영된 여성의 사회적 역할에 관한 내용 연구" 한국광고학회 17 (17): 163-195, 2006

      8 백선기, "영화 그 기호학적 해석의 즐거움" 커뮤니케이션북스 2007

      9 한은경, "여성잡지와 광고:여성잡지의 광고실태와 그 이데올로기" 한국저널리즘학회 9 : 52-57, 1993

      10 박판수, "스포츠인 모델의 광고에 대한 공신력과 태도 및 효과에 관한 연구" 경성대학교 대학원 2000

      11 나준희, "스포츠스타 광고모델이 제품태도에 미치는 영향" 한국스포츠산업경영학회 8 (8): 153-166, 2003

      12 제문희, "스포츠모델의 효율적인 광고활용 방안에 관한 연구" 홍익대학교 산업미술대학원 2002

      13 송해룡, "스포츠 커뮤니케이션론" 전애원 2005

      14 조재현, "스포츠 유명인 모델에 대한 태도와 민족정체성이 광고효과에 미치는 영향" 한국방송광고공사 (72) : 199-221, 2006

      15 이정학, "스포츠 스타 광고모델 속성이 광고모델적합성 및 제품구매의도에 미치는 영향" 한국체육학회 41 (41): 295-304, 2002

      16 김용만, "스포츠 마케팅 커뮤니케이션" 학현사 2010

      17 김동일, "성의 사회학" 문음사 1996

      18 백선기, "방송을 통해 표출된 김건모 노래가사의 신화와 이데올로기: ‘남성성’ 유형의 변화를 중심으로" 사이버커뮤니케이션학회 18 (18): 69-110, 2006

      19 김원제, "미디어 스포츠 사회학" 커뮤니케이션북스 2005

      20 백선기, "미디어 그 기호학적 해석의 즐거움" 커뮤니케이션북스 2007

      21 최 은, "롤랑 바르트의 텍스트와 영화 이미지" 중앙대학교 첨단영상대학원 2002

      22 백선기, "대중문화 그 기호학적 해석의 즐거움" 커뮤니케이션북스 2004

      23 박지아, "광고의 여성성 표출과 이데올로기 연구 : TV 모바일 폰(Mobile Phone) 광고의 섹슈얼리티 표출에 관한 분석을 중심으로" 성균관대학교 대학원 2009

      24 정현욱, "광고에 나타난 여성이미지 선호 유형에 관한 연구" 한국주관성연구학회 (22) : 57-71, 2011

      25 J. Berger, "Ways of seeing" Penguin 1990

      26 J. Fiske, "The History of sexuality: An Introduction, Vol.1" Vantage Books 1990

      27 B. G. Yovovich, "Sex in Advertising : Powers and Perils" Advertising 1983

      28 P. P. Trifonas, "Barthes and the Emoire of signs, Icon Books, 2001" 이제이북 2003

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      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-05-29 학술지명변경 외국어명 : semiotic inquiry -> Semiotic Inquiry KCI등재후보
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.72 0.72 0.66
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.6 0.59 1.335 0.14
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