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    林語堂 번역론 연구 = A Study on Lin Yu Tang’s(林語堂) Theory of Translation

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    https://www.riss.kr/link?id=A103953152

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Lin Yu Tang is known as a translation theorist, who put forwarded Esthetic translation theory, one of ten translation theories in China. The author shows in this thesis that Lin’s theory serves as a bridge leading to the translation theory of Guo Mo Ruo(郭沫若), transcending Xindayalun(信达雅论, a translation theory)proposed by Yan Fu(嚴復). The author reviews the process in which Lin becomes a writer by taking a look at his life and career.


    Lin Yu Tang claimed that Yanfu’s Xindayalun corresponds with his three standards of translation: accuracy, coherence and beauty. Lin’s standard of beauty spans much larger scope than Yanfu’s Ah comprises. Lin said thattranslation is an art to the extent that art is a creative activity. He argues that a translator should be equipped with creative ability and literary experience.


    He also stressed the talent and training of a translator. He said that a translator should be able to understand fully the original text and to speak Chinese fluently. He shied away from the use of the terms such as literal translation and contextual translation. Instead, tried, without much success, to use the terms, word-for-word translation and phrasal translation.


    He emphasized the responsibility of a translator as a writer, reader and artist. He made it clear that a final responsibility of a translation falls on the shoulder of a translator. The author also showed Lin Yu Tang status as a translator who translated Chinese texts to English and as a writer who wrote in English.
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    Lin Yu Tang is known as a translation theorist, who put forwarded Esthetic translation theory, one of ten translation theories in China. The author shows in this thesis that Lin’s theory serves as a bridge leading to the translation theory of Guo Mo...

    Lin Yu Tang is known as a translation theorist, who put forwarded Esthetic translation theory, one of ten translation theories in China. The author shows in this thesis that Lin’s theory serves as a bridge leading to the translation theory of Guo Mo Ruo(郭沫若), transcending Xindayalun(信达雅论, a translation theory)proposed by Yan Fu(嚴復). The author reviews the process in which Lin becomes a writer by taking a look at his life and career.


    Lin Yu Tang claimed that Yanfu’s Xindayalun corresponds with his three standards of translation: accuracy, coherence and beauty. Lin’s standard of beauty spans much larger scope than Yanfu’s Ah comprises. Lin said thattranslation is an art to the extent that art is a creative activity. He argues that a translator should be equipped with creative ability and literary experience.


    He also stressed the talent and training of a translator. He said that a translator should be able to understand fully the original text and to speak Chinese fluently. He shied away from the use of the terms such as literal translation and contextual translation. Instead, tried, without much success, to use the terms, word-for-word translation and phrasal translation.


    He emphasized the responsibility of a translator as a writer, reader and artist. He made it clear that a final responsibility of a translation falls on the shoulder of a translator. The author also showed Lin Yu Tang status as a translator who translated Chinese texts to English and as a writer who wrote in English.

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    참고문헌 (Reference)

    1 萬平近, "林語堂評傳" 重慶出版社 1996

    2 楊玉文, "林語堂與文學翻譯" 2 (2): 2004

    3 周質平, "林語堂與小品文" (1) : 1996

    4 林語堂, "林語堂自傳" 江蘇文藝出版社 1995

    5 楊柳, "林語堂翻譯硏究-審美現代性透視" 湖南人民出版社 2005

    6 夏蓓洁, "林語堂翻譯的浮生六記: 實踐性跨文化交際的成果" 24 (24): 2007

    7 李永康, "林語堂翻譯文本的文化解讀" 22 (22): 2001

    8 馬晶晶, "林語堂翻譯思想述評" 2008

    9 孫良好, "林語堂筆下的美國形象-以 唐人街和奇島爲中心" (4) : 2005

    10 施建偉, "林語堂硏究論集" 同濟大學出版社 1997

    1 萬平近, "林語堂評傳" 重慶出版社 1996

    2 楊玉文, "林語堂與文學翻譯" 2 (2): 2004

    3 周質平, "林語堂與小品文" (1) : 1996

    4 林語堂, "林語堂自傳" 江蘇文藝出版社 1995

    5 楊柳, "林語堂翻譯硏究-審美現代性透視" 湖南人民出版社 2005

    6 夏蓓洁, "林語堂翻譯的浮生六記: 實踐性跨文化交際的成果" 24 (24): 2007

    7 李永康, "林語堂翻譯文本的文化解讀" 22 (22): 2001

    8 馬晶晶, "林語堂翻譯思想述評" 2008

    9 孫良好, "林語堂筆下的美國形象-以 唐人街和奇島爲中心" (4) : 2005

    10 施建偉, "林語堂硏究論集" 同濟大學出版社 1997

    11 吳梅, "林語堂的翻譯觀及其實踐-淺析幽夢影中的增譯七漏譯和改譯" 29 (29): 2008

    12 周仕寶, "林語堂的翻譯觀" (2) : 2004

    13 林語堂, "林語堂名著全集" 東北師範大學出版社 1994

    14 施萍, "林語堂, 文化典型的人格符號" 北京大學出版社 2005

    15 林太乙, "林語堂 그 생애와 문학세계" 대오문화사 1991

    16 陳平原, "兩脚踏東西文化" (1) : 1989

    17 林語堂, "論飜譯 民國叢書第一編51-語言學論叢"

    18 김효중, "번역학" 민음사 1998

    19 마루야마 마사오, "번역과 일본의 근대" 이산 2000

    20 페데리코 마시니, "근대 중국의 언어와 역사" 소명출판 2005

    21 손지봉, "郭沫若의 번역론 연구" 중국어문학회 (28) : 183-204, 2008

    22 金惠康, "跨文化交際翻譯續編" 中國對外翻譯出版公司 2004

    23 許淵衝, "譯學要敢爲天下先" 1999

    24 周雪婷, "語堂的人文精神翻譯觀" 8 (8): 2007

    25 劉知洪, "試論翻譯家林語堂" 24 (24): 2008

    26 李昕燕, "解釋影響林語堂翻譯活動的因素" 22 (22): 2009

    27 周可, "表現主義與林語堂的文學觀念 in 中國現代文學硏究 叢刊" 作家出版社 1996

    28 郭著章, "翻译名家研究" 湖北教育出版社 2005

    29 方夢之, "翻譯新論與實踐" 靑島出版社 2004

    30 李建軍, "新編 英漢 翻譯" 東華大學出版社 2004

    31 包惠南, "文化語境與語言翻譯" 中國對外翻譯出版公司 2003

    32 柯平, "文化差異和語義的非對應 in 翻譯新論" 湖北敎育出版社 2003

    33 楊柳, "文化前結構與翻譯的創造性誤讀-林語堂英譯" 中國傳奇 硏究 (11) : 2003

    34 白永吉, "抗戰期 林語堂 小說의 宗敎性 ― 東西文化의 融合과 葛藤 樣相" 중국어문연구회 (31) : 435-457, 2006

    35 박계성, "幽?, 小品文 그리고 語錄?-林語堂의 ‘一心評宇宙文章’" 영남중국어문학회 (47) : 337-366, 2006

    36 金美廷, "周作人,林語堂의 심미관과 1930년의 소품문운동" (24) : 1995

    37 손지봉, "傅雷의 번역관 고찰" 중국학연구회 (52) : 163-183, 2010

    38 王少娣, "互文性視閾下的林語堂翻譯探析" (1) : 2008

    39 郭廷禮, "中國近代翻譯文學槪論" 湖北敎育出版社 1998

    40 陳福康, "中國譯學理論史稿" 上海外語敎育出版社 2005

    41 孟昭毅, "中國翻譯文學史" 北京大學出版社 2005

    42 陳榮東, "一篇不該忽視的譯論-從 論翻譯 一文看林語堂的翻譯思想" (4) : 1997

    43 王秉欽, "20世紀 中國飜譯思想史" 南開大學出版社 2005

    44 方華文, "20世紀 中國翻譯史" 西北大學出版社 2005

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