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    AM-LCD 素子用 MIM 다이오드의 特性 硏究 = (A) study on the MIM diode for AM-LCD device

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    https://www.riss.kr/link?id=T8190275

    • 저자
    • 발행사항

      서울 : 경희대학교 대학원, 2002

    • 학위논문사항

      학위논문(석사) -- 경희대학교 대학원 , 전자공학과 반도체전공 , 2002. 2

    • 발행연도

      2002

    • 작성언어

      한국어

    • 주제어
    • KDC

      569.4 판사항(4)

    • DDC

      624 판사항(20)

    • 발행국(도시)

      서울

    • 형태사항

      49p. : 삽도 ; 26cm.

    • 소장기관
      • 경희대학교 국제캠퍼스 도서관 소장기관정보
      • 경희대학교 중앙도서관 소장기관정보
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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The purpose of thesis is to examine aspects and meanings of dream in the works written by Hwang, Soon Won. This study derives from 2 academic motives: one is to interpret the internal consciousness of characters in Hwang's works by analysing their dream, the other is to grasp the changing aspect of the main themes in Hwang's literary world. After applying psychoanlaytic theory of Sigmund Freud to Hwang's novels, the resulting accomplishment is as following.
    First, dreams about water in Staying with Stars(1947), Descendant of Cain(1953), Human Graft(1955) mean 'return to mother's womb', which embodies the hero's unconscious desire to be held in mother's arm. For example, the hero's obsession with the image of 'blazing eye' in Descendant of Cain, which represent motherhood appears repeatedly. And dreams about 'peach' and 'breast' in Human Graft is substitutions of yearning mother. 'Return to the womb' represented in these dreams is one of the main motifs in Hwang's early literary world.
    Secondly, dreams about 'hill', 'cave' in Trees Stand at the Slopes(1960) and The Sun and the Moon(1962) which are main works consisting Hwang's middle stage represent central character's anxious interiority. In the middle stage, Hwang deals with deepened internal conflict of characters, unlike the tendency toward psychic integration in the early stage. Dreams about 'hill' in Trees Stand at the Slope symbolize hero's ontological solitude caused by war symptom, and dreams about 'a house only with stages', 'letter T', 'cave' in The Sun and the Moon embody repeatedly the ontological solitude of the hero caused by status conflict of butchery class.
    Thirdly, rehabilitating process from destructed humanity through conflict between self and reality with maternal vitality appears in dream imageries in Moving Castle(1968), God's dice(1978) in the last stage. Apparently, Hwang's novels in the last stage show characteristically that the characters perceive motherhood and vitality equally.
    Therefore, dreams in Hwang's novels are used as important apparatus showing hero's interior consciousness and novel's thematic consciousness. The significance of dreams has been dealt broadly form the starting point in Head(1942), and becomes more and more intensified in his later works. Dreams in Hwang's novels let the story proceed and mediate connotations. They are also used as a method to foretell character's internal consciousness or story development, and to reveal the general comprehension of symbolic meaning of Hwang's works. So, interpretation of dreams is one of the most essential tasks studying Hwang's novels.
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    The purpose of thesis is to examine aspects and meanings of dream in the works written by Hwang, Soon Won. This study derives from 2 academic motives: one is to interpret the internal consciousness of characters in Hwang's works by analysing their dre...

    The purpose of thesis is to examine aspects and meanings of dream in the works written by Hwang, Soon Won. This study derives from 2 academic motives: one is to interpret the internal consciousness of characters in Hwang's works by analysing their dream, the other is to grasp the changing aspect of the main themes in Hwang's literary world. After applying psychoanlaytic theory of Sigmund Freud to Hwang's novels, the resulting accomplishment is as following.
    First, dreams about water in Staying with Stars(1947), Descendant of Cain(1953), Human Graft(1955) mean 'return to mother's womb', which embodies the hero's unconscious desire to be held in mother's arm. For example, the hero's obsession with the image of 'blazing eye' in Descendant of Cain, which represent motherhood appears repeatedly. And dreams about 'peach' and 'breast' in Human Graft is substitutions of yearning mother. 'Return to the womb' represented in these dreams is one of the main motifs in Hwang's early literary world.
    Secondly, dreams about 'hill', 'cave' in Trees Stand at the Slopes(1960) and The Sun and the Moon(1962) which are main works consisting Hwang's middle stage represent central character's anxious interiority. In the middle stage, Hwang deals with deepened internal conflict of characters, unlike the tendency toward psychic integration in the early stage. Dreams about 'hill' in Trees Stand at the Slope symbolize hero's ontological solitude caused by war symptom, and dreams about 'a house only with stages', 'letter T', 'cave' in The Sun and the Moon embody repeatedly the ontological solitude of the hero caused by status conflict of butchery class.
    Thirdly, rehabilitating process from destructed humanity through conflict between self and reality with maternal vitality appears in dream imageries in Moving Castle(1968), God's dice(1978) in the last stage. Apparently, Hwang's novels in the last stage show characteristically that the characters perceive motherhood and vitality equally.
    Therefore, dreams in Hwang's novels are used as important apparatus showing hero's interior consciousness and novel's thematic consciousness. The significance of dreams has been dealt broadly form the starting point in Head(1942), and becomes more and more intensified in his later works. Dreams in Hwang's novels let the story proceed and mediate connotations. They are also used as a method to foretell character's internal consciousness or story development, and to reveal the general comprehension of symbolic meaning of Hwang's works. So, interpretation of dreams is one of the most essential tasks studying Hwang's novels.

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    목차 (Table of Contents)

    • 목차
    • I. 서론 = 1
    • 1. 문제제기 = 1
    • 2. 연구사 = 3
    • 3. 연구방법과 범위 = 13
    • 목차
    • I. 서론 = 1
    • 1. 문제제기 = 1
    • 2. 연구사 = 3
    • 3. 연구방법과 범위 = 13
    • II. 황순원 소설과 꿈의 상관성 = 16
    • 1. 꿈의 정신분석학적 의미 = 16
    • 2. 작품 세계 내에서의 꿈의 위치 = 24
    • III. 꿈의 유형과 내용분석 = 28
    • 1. 신화적 공간과 모성회귀 = 28
    • 1) 신화적 공간과 퇴행 = 29
    • 2) 모성회귀의 순환성 = 35
    • 2. 정체성 상실과 존재론적 화해 = 49
    • 1) 자아와 현실의 갈등 = 50
    • 2) 존재론적 위기와 극복의지 = 63
    • 3. 생명지향성과 인간구원 = 70
    • 1) 유랑민의식과 구원의 문제 = 71
    • 2) 인간성 회복과 모성적 생명성 = 79
    • IV. 결론 = 90
    • 참고문헌 = 95
    • ABSTRACT = 101
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