'일상'의 미학적 실천과 사유의 궤적: 김영하, 홍상수의 작품을 중심으로 = Aesthetical Practice of Daily Occurrence and Trace of Thought: Works of Young-ha kim and Sang-su Hong

다국어 초록 (Multilingual Abstract)

This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and films, aesthetical practice, time and images are primary elements by which the path of cultural-political reaction and recognition taken by writer and director toward the world can be traced.
Kim and Hong pay attention to the daily occurrence of metropolis beyond the grand narrative such as history and nation. Kim, on the basis of infinite imagination, applies to his own novels various media such as photograph, picture, game, advertisement and film. Daily occurrence of metropolis delineated in his works is dilated to the simulation world where the boundary of reality is ambiguous and pictured as the process of repetition and reproduction of signs, images and simulations. Hong's films embody the daily occurrence which is fragmented in the modern metropolis through the various methods such as conversion of narrative structure, visual point, time and space. He gets together and rearranges life fragments which cycle and degenerate in the ambit of daily occurrence and makes them unfamiliar. His film practices do not include the false image which represents reality but have a reflective meaning for the dichotomical thought based on the metaphysical tradition.
After 1990s, Kim and Hong began to aestheticize subjects' desire made by daily occurrence of capitalism through different media, collapse the boundary between daily occurrence and texts, and reveal the contradiction beyond the regulation of politics, economy and society. They corroborate to readers and spectators why the direct impression, sentiment and image for the dream world which dominate daily occurrence are falsehoods and alienated from the reality.

다국어 초록 (Multilingual Abstract)

This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and films, aesthetical practice, time and images are primary elements by which the path of cultural-political reaction and recognition taken by writer and director toward the world can be traced.
Kim and Hong pay attention to the daily occurrence of metropolis beyond the grand narrative such as history and nation. Kim, on the basis of infinite imagination, applies to his own novels various media such as photograph, picture, game, advertisement and film. Daily occurrence of metropolis delineated in his works is dilated to the simulation world where the boundary of reality is ambiguous and pictured as the process of repetition and reproduction of signs, images and simulations. Hong's films embody the daily occurrence which is fragmented in the modern metropolis through the various methods such as conversion of narrative structure, visual point, time and space. He gets together and rearranges life fragments which cycle and degenerate in the ambit of daily occurrence and makes them unfamiliar. His film practices do not include the false image which represents reality but have a reflective meaning for the dichotomical thought based on the metaphysical tradition.
After 1990s, Kim and Hong began to aestheticize subjects' desire made by daily occurrence of capitalism through different media, collapse the boundary between daily occurrence and texts, and reveal the contradiction beyond the regulation of politics, economy and society. They corroborate to readers and spectators why the direct impression, sentiment and image for the dream world which dominate daily occurrence are falsehoods and alienated from the reality.

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