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      '일상'의 미학적 실천과 사유의 궤적: 김영하, 홍상수의 작품을 중심으로 = Aesthetical Practice of Daily Occurrence and Trace of Thought: Works of Young-ha kim and Sang-su Hong

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      https://www.riss.kr/link?id=A104152168

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      다국어 초록 (Multilingual Abstract)

      This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and films, aesthetical practice, time and images are primary elements by which the path of cultural-political reaction and recognition taken by writer and director toward the world can be traced.
      Kim and Hong pay attention to the daily occurrence of metropolis beyond the grand narrative such as history and nation. Kim, on the basis of infinite imagination, applies to his own novels various media such as photograph, picture, game, advertisement and film. Daily occurrence of metropolis delineated in his works is dilated to the simulation world where the boundary of reality is ambiguous and pictured as the process of repetition and reproduction of signs, images and simulations. Hong's films embody the daily occurrence which is fragmented in the modern metropolis through the various methods such as conversion of narrative structure, visual point, time and space. He gets together and rearranges life fragments which cycle and degenerate in the ambit of daily occurrence and makes them unfamiliar. His film practices do not include the false image which represents reality but have a reflective meaning for the dichotomical thought based on the metaphysical tradition.
      After 1990s, Kim and Hong began to aestheticize subjects' desire made by daily occurrence of capitalism through different media, collapse the boundary between daily occurrence and texts, and reveal the contradiction beyond the regulation of politics, economy and society. They corroborate to readers and spectators why the direct impression, sentiment and image for the dream world which dominate daily occurrence are falsehoods and alienated from the reality.
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      This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and fi...

      This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and films, aesthetical practice, time and images are primary elements by which the path of cultural-political reaction and recognition taken by writer and director toward the world can be traced.
      Kim and Hong pay attention to the daily occurrence of metropolis beyond the grand narrative such as history and nation. Kim, on the basis of infinite imagination, applies to his own novels various media such as photograph, picture, game, advertisement and film. Daily occurrence of metropolis delineated in his works is dilated to the simulation world where the boundary of reality is ambiguous and pictured as the process of repetition and reproduction of signs, images and simulations. Hong's films embody the daily occurrence which is fragmented in the modern metropolis through the various methods such as conversion of narrative structure, visual point, time and space. He gets together and rearranges life fragments which cycle and degenerate in the ambit of daily occurrence and makes them unfamiliar. His film practices do not include the false image which represents reality but have a reflective meaning for the dichotomical thought based on the metaphysical tradition.
      After 1990s, Kim and Hong began to aestheticize subjects' desire made by daily occurrence of capitalism through different media, collapse the boundary between daily occurrence and texts, and reveal the contradiction beyond the regulation of politics, economy and society. They corroborate to readers and spectators why the direct impression, sentiment and image for the dream world which dominate daily occurrence are falsehoods and alienated from the reality.

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      다국어 초록 (Multilingual Abstract)

      This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and films, aesthetical practice, time and images are primary elements by which the path of cultural-political reaction and recognition taken by writer and director toward the world can be traced.
      Kim and Hong pay attention to the daily occurrence of metropolis beyond the grand narrative such as history and nation. Kim, on the basis of infinite imagination, applies to his own novels various media such as photograph, picture, game, advertisement and film. Daily occurrence of metropolis delineated in his works is dilated to the simulation world where the boundary of reality is ambiguous and pictured as the process of repetition and reproduction of signs, images and simulations. Hong's films embody the daily occurrence which is fragmented in the modern metropolis through the various methods such as conversion of narrative structure, visual point, time and space. He gets together and rearranges life fragments which cycle and degenerate in the ambit of daily occurrence and makes them unfamiliar. His film practices do not include the false image which represents reality but have a reflective meaning for the dichotomical thought based on the metaphysical tradition.
      After 1990s, Kim and Hong began to aestheticize subjects' desire made by daily occurrence of capitalism through different media, collapse the boundary between daily occurrence and texts, and reveal the contradiction beyond the regulation of politics, economy and society. They corroborate to readers and spectators why the direct impression, sentiment and image for the dream world which dominate daily occurrence are falsehoods and alienated from the reality.
      번역하기

      This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and fi...

      This paper examines the narrative connection between the image of daily occurrence in Young-ha Kim’s novels and Sang-su Hong’s films and the discourse of realism, modernism and postmodernism. No less than the formulas and contents of novels and films, aesthetical practice, time and images are primary elements by which the path of cultural-political reaction and recognition taken by writer and director toward the world can be traced.
      Kim and Hong pay attention to the daily occurrence of metropolis beyond the grand narrative such as history and nation. Kim, on the basis of infinite imagination, applies to his own novels various media such as photograph, picture, game, advertisement and film. Daily occurrence of metropolis delineated in his works is dilated to the simulation world where the boundary of reality is ambiguous and pictured as the process of repetition and reproduction of signs, images and simulations. Hong's films embody the daily occurrence which is fragmented in the modern metropolis through the various methods such as conversion of narrative structure, visual point, time and space. He gets together and rearranges life fragments which cycle and degenerate in the ambit of daily occurrence and makes them unfamiliar. His film practices do not include the false image which represents reality but have a reflective meaning for the dichotomical thought based on the metaphysical tradition.
      After 1990s, Kim and Hong began to aestheticize subjects' desire made by daily occurrence of capitalism through different media, collapse the boundary between daily occurrence and texts, and reveal the contradiction beyond the regulation of politics, economy and society. They corroborate to readers and spectators why the direct impression, sentiment and image for the dream world which dominate daily occurrence are falsehoods and alienated from the reality.

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      참고문헌 (Reference)

      1 데이비드,노먼 로드윅(David,Norman Rodowick), "현대영화이론의 궤적-정치적 모더니즘의 위기" 한나래 1999

      2 르페브르,앙리, "현대세계의 일상성" 기파랑에크리 2005

      3 박기수, "탐뢰(探賴)와 피뢰(避雷)의 경쾌한 모색" 관점 1999

      4 강진경, "탈주를 꿈꾸지만 윤회하는 욕망들: <돼지가 우물에 빠진 날>에서 보여지는 일상 공간" 동국대학교 대학원 영화학과 1 : 1999

      5 류보선, "죽음, 그 아름답고도 불길한 유혹. 「나는 나를 파괴할 권리가 있다」" 문학동네 1996

      6 김영하, "조금은 굵은 언어로 말하고 싶었다. 「굴비낚시」" 마음의 산책 2000

      7 우찬제, "접속시대의 그물과 유령의 존재론: 김영하의 빛의 제국" 문화예술 2006

      8 정희모, "일상의 발견 그 분열과 모순의 이미지-홍상수 영화. 비판적 읽기?. 「기독교사상」. 대한기독교서회. 2005"

      9 백문임, "일상성을 포착하는 내밀한 시선-영화 <오! 수정>" 창작과비평 2000

      10 박재환, "일상생활의 사회사" 한울 1994

      1 데이비드,노먼 로드윅(David,Norman Rodowick), "현대영화이론의 궤적-정치적 모더니즘의 위기" 한나래 1999

      2 르페브르,앙리, "현대세계의 일상성" 기파랑에크리 2005

      3 박기수, "탐뢰(探賴)와 피뢰(避雷)의 경쾌한 모색" 관점 1999

      4 강진경, "탈주를 꿈꾸지만 윤회하는 욕망들: <돼지가 우물에 빠진 날>에서 보여지는 일상 공간" 동국대학교 대학원 영화학과 1 : 1999

      5 류보선, "죽음, 그 아름답고도 불길한 유혹. 「나는 나를 파괴할 권리가 있다」" 문학동네 1996

      6 김영하, "조금은 굵은 언어로 말하고 싶었다. 「굴비낚시」" 마음의 산책 2000

      7 우찬제, "접속시대의 그물과 유령의 존재론: 김영하의 빛의 제국" 문화예술 2006

      8 정희모, "일상의 발견 그 분열과 모순의 이미지-홍상수 영화. 비판적 읽기?. 「기독교사상」. 대한기독교서회. 2005"

      9 백문임, "일상성을 포착하는 내밀한 시선-영화 <오! 수정>" 창작과비평 2000

      10 박재환, "일상생활의 사회사" 한울 1994

      11 심광현, "영화영구의 탈근대 문화정치적 과제와 전망:정치적 모더니즘과 비판적 문화연구의 ‘절합’" 문화과학 2001

      12 바따이유,조르쥬, "에로티즘" 민음사 1997

      13 들뢰즈,질(Deleuze,Gilles), "시네마 II" 시각과 언어 2005

      14 기,드보르, "스펙타클의 사회" 현실문화연구 1996

      15 그램,질로크, "발터벤야민과 메트로폴리스" 효형출판 2005

      16 김정남, "문학과 속도의 운동역학" 문학과경계 2005

      17 한기욱, "대중문화 속의 소설과 영화-김영하, 하성란, 홍상수의 작품들" 창작과비평 2001

      18 정영훈, "나르시시즘으로부터 타자의 윤리학으로: 김영하의 단편들" 문예중앙 2004

      19 오영숙, "나르시소스의 자기모멸과 미적 자의식. 「강원도의 힘」. 연세대 미디어아트연구소편" 삼인 2003

      20 벤야민,발터, "기술복제시대의 예술작품" 길 2008

      21 Eagleton,Terry, "Walter Benjamin or Towards a Revolutionary Criticism" Verso 1981

      22 Rose,G., "The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno" Macmillan 1978

      23 방민호, "1999년 가을, 사유의 빈곤: 전경린ㆍ윤대녕ㆍ공지영ㆍ김영하ㆍ엄우흠의 작픔들" 23 : 1999

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      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-08-06 학회명변경 영문명 : Korean Association Of Literature And Film -> The Korean Association Of Literature and Film KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
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