지식의 쾌락 원칙을 넘어서 = 〈슈퍼사이즈미〉에 나타나는 지식과 몸의 관계에 대한 정신분석학적 접근

다국어 초록 (Multilingual Abstract)

Contemporary documentary form encompasses a wide range of creative approaches to reality and knowledge, many of which demand alternative means of critical investigation beyond the widely used theoretical models. This study examines the function of the body in internationally distributed documentary film Super Size Me, in which the director functions as not only as the investigator but also as the subject of his physical experiment. Even though director Morgan Spurlock's experiment was initially motivated by the public interest and epistephilia, the defining elements of documentary, the process of constructing knowledge that he reveals calls for a more organic and comprehensive scrutiny of the role of the body and its semiotic mechanism. I offer a comparative analysis of the historical changes in documentary modes and modem art in order to contextualize the importance of process and the emergence of the body in both documentary and art. Using Melanie Klein's psychoanalytic concepts I further analyze the symbolic implications of the self-induced harm upon the body in Super Size Me and its relation to knowledge construction. In doing so, I argue for interdisciplinary approaches to the understanding of documentary, through which the role of the split subject becomes more visible.

참고문헌 (Reference)

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