RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재

      김수영의 매체의식과 감각적 주체의 전환 = Kim soo-young`s media consciousness and the conversion of sensory subject

      한글로보기

      https://www.riss.kr/link?id=A86946791

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This paper aims to study on the relativity of media consciousness and sensory subject in Kim soo-young`s poetry and prose. Since 1960`s middle term, Kim soo-young experienced the electronic mass media and responded to the new media sensitively. I think it was a diverging point of Kim soo-young`s works. 1960`s was also the important turning point of media environment in Korea. So, I examine how the media consciousness and the conversion of sensory subject in Kim soo-young`s poetry and prose was formed at that time. We can find many references about printing media(book, magazine, newspaper) in the former term of Kim soo-young`s poetry. The other side, we can find the references about electronic media (telephone, radio, television) in the latter term newly. According as the media environment changed, Kim soo-young`s media consciousness and the sensory subject converted from directivity of visual sense into directivity of hearing sense. He received daily incident and noise into the new source of inspiration and searched for new form. I think the rhetoric of garrulity in Kim soo-young`s latter term poetry was a part of the conversion of sensory subject and the aesthetical change. This point of view will provide valuable aid for understanding Kim soo-young`s works through the relativity of the sense and media.
      번역하기

      This paper aims to study on the relativity of media consciousness and sensory subject in Kim soo-young`s poetry and prose. Since 1960`s middle term, Kim soo-young experienced the electronic mass media and responded to the new media sensitively. I thin...

      This paper aims to study on the relativity of media consciousness and sensory subject in Kim soo-young`s poetry and prose. Since 1960`s middle term, Kim soo-young experienced the electronic mass media and responded to the new media sensitively. I think it was a diverging point of Kim soo-young`s works. 1960`s was also the important turning point of media environment in Korea. So, I examine how the media consciousness and the conversion of sensory subject in Kim soo-young`s poetry and prose was formed at that time. We can find many references about printing media(book, magazine, newspaper) in the former term of Kim soo-young`s poetry. The other side, we can find the references about electronic media (telephone, radio, television) in the latter term newly. According as the media environment changed, Kim soo-young`s media consciousness and the sensory subject converted from directivity of visual sense into directivity of hearing sense. He received daily incident and noise into the new source of inspiration and searched for new form. I think the rhetoric of garrulity in Kim soo-young`s latter term poetry was a part of the conversion of sensory subject and the aesthetical change. This point of view will provide valuable aid for understanding Kim soo-young`s works through the relativity of the sense and media.

      더보기

      동일학술지(권/호) 다른 논문

      동일학술지 더보기

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼