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      『에스투니가 가요집』(1460∼1463)의 라티니즘에 반영된 카스티야 시학의 15세기 나폴리 왕실로의 전이 = Castilian Poetics in the Fifteenth Century Neapolitan Court, As Reflected in the Cancionero de Estúñiga’s Latinism

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      https://www.riss.kr/link?id=A108504892

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      This study aims to assess the spread of fifteenth century Spanish poetry to the Aragonese Court of Naples. The poems contained in the Cancionero de Estúñiga share many Castilian stylistic components, such as the first-person narrator and the presence of allegory, classical literary topos, courtly love, and a huge range of decorative and elegant vocabulary, despite the contributors’ differing political motives for producing this work. In particular, I believe that the pattern of latinism that is evident in these poems is further crucial proof of an integrated Castilian poetics and its intact transmission to the Neapolitan Court. I used Gephi 0.9.7. for the visualization of the network of relationships between this latinism and the poets of Cancionero de Estúñiga. This analysis confirms that the poets of the Neapolitan court expressed themselves through the Castilian style of poetry very naturally due to the legitimacy of successive kings of Aragon and these kings’ close political relationships with the royal house of Castile.
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      This study aims to assess the spread of fifteenth century Spanish poetry to the Aragonese Court of Naples. The poems contained in the Cancionero de Estúñiga share many Castilian stylistic components, such as the first-person narrator and the presenc...

      This study aims to assess the spread of fifteenth century Spanish poetry to the Aragonese Court of Naples. The poems contained in the Cancionero de Estúñiga share many Castilian stylistic components, such as the first-person narrator and the presence of allegory, classical literary topos, courtly love, and a huge range of decorative and elegant vocabulary, despite the contributors’ differing political motives for producing this work. In particular, I believe that the pattern of latinism that is evident in these poems is further crucial proof of an integrated Castilian poetics and its intact transmission to the Neapolitan Court. I used Gephi 0.9.7. for the visualization of the network of relationships between this latinism and the poets of Cancionero de Estúñiga. This analysis confirms that the poets of the Neapolitan court expressed themselves through the Castilian style of poetry very naturally due to the legitimacy of successive kings of Aragon and these kings’ close political relationships with the royal house of Castile.

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      참고문헌 (Reference)

      1 백승욱, "트라스타마라 왕조기 시인들의 사회관계망에 나타난 후안 알폰소 데 바에나의 ‘셀프 포지셔닝’ 고찰: 『바에나 가요집』(c.1430)을 기초로" 스페인 라틴아메리카 연구소 14 (14): 1-24, 2021

      2 Gómez Moreno, Ángel, "Íñigo López de Mendoza, Marqués de Santillana/ Obras completas" Planeta 1988

      3 Corominas, Joan, "h.1460. Cancionero de Stúñiga, Biblioteca Nacional de Madrid. MSS.MICRO.15114. Reproducción en microforma" 1980

      4 Mitre Fernández, Emilio, "Una muerte para un rey Enrique III de Castilla (Navidad de 1406). Valladolid. Ámbito" Universidad de Valladolid 1406

      5 Proia, Isabella, "Siete planetas reales: el diseño político de Fernando de Antequera en una composición del Cancionero de Baena (N. 514, ID 1640)" 28 : 93-118, 2014

      6 Menéndez Pidal, Ramón, "Manual de la gramática histórica española" Espasa-Calpe 1985

      7 Pérez Priego, "Literatura española medieval (el siglo XV)" Ed. Centro de Estudios Ramón Areces. Madrid 2019

      8 Salvador Miguel, Nicasio, "Le pouvoir et l’ecriture en Espagne et en Italie(1450-1530)" Univ. de Provence 41-42, 1990

      9 Raab, Matthias, "Latinismos neológicos en el siglo XV: una propuesta metodológica a partir de la lingüística de corpus" 4 : 187-207, 2015

      10 Alvar, Manuel., "Las poesías de Carvajales en italiano: Cancionero de Estúñiga, núms. 143-145" 30 : 205-221, 1982

      1 백승욱, "트라스타마라 왕조기 시인들의 사회관계망에 나타난 후안 알폰소 데 바에나의 ‘셀프 포지셔닝’ 고찰: 『바에나 가요집』(c.1430)을 기초로" 스페인 라틴아메리카 연구소 14 (14): 1-24, 2021

      2 Gómez Moreno, Ángel, "Íñigo López de Mendoza, Marqués de Santillana/ Obras completas" Planeta 1988

      3 Corominas, Joan, "h.1460. Cancionero de Stúñiga, Biblioteca Nacional de Madrid. MSS.MICRO.15114. Reproducción en microforma" 1980

      4 Mitre Fernández, Emilio, "Una muerte para un rey Enrique III de Castilla (Navidad de 1406). Valladolid. Ámbito" Universidad de Valladolid 1406

      5 Proia, Isabella, "Siete planetas reales: el diseño político de Fernando de Antequera en una composición del Cancionero de Baena (N. 514, ID 1640)" 28 : 93-118, 2014

      6 Menéndez Pidal, Ramón, "Manual de la gramática histórica española" Espasa-Calpe 1985

      7 Pérez Priego, "Literatura española medieval (el siglo XV)" Ed. Centro de Estudios Ramón Areces. Madrid 2019

      8 Salvador Miguel, Nicasio, "Le pouvoir et l’ecriture en Espagne et en Italie(1450-1530)" Univ. de Provence 41-42, 1990

      9 Raab, Matthias, "Latinismos neológicos en el siglo XV: una propuesta metodológica a partir de la lingüística de corpus" 4 : 187-207, 2015

      10 Alvar, Manuel., "Las poesías de Carvajales en italiano: Cancionero de Estúñiga, núms. 143-145" 30 : 205-221, 1982

      11 Beltrán, Vicen, "La tradizione della lirica nel Medioevo romanzo" 409-437, 2011

      12 Salvador Miguel, Nicasio, "La poesía cancioneril : El Cancionero de Estúñiga" Alhambra 1977

      13 Pons Rodríguez, Lola, "La lengua del Cuatrocientos más allá de las Trescientas" Iberoamericana/Vervuert 393-430, 2015

      14 Vendrell de Millás, Francisca, "La corte literaria de Alfonso V de Aragón y tres poetas de la misma. separata del BRAE" 1933

      15 Belenguer, Ernest, "La corona de Aragón en la monarquía hispánica" ed. Península 2001

      16 Giuliani, Luigi, "Juan de Tapia/ Poemas" Universidad de Salamanca 2004

      17 Azofra, Sierra, María Elena, "Juan de Mena: Estudio del cultismo y concordancias de su obra"

      18 Pérez Priego, Miguel Ángel, "Juan de Mena/ Obras completas" Planeta 1989

      19 Salvador Miguel, Nicasio, "Iberia cantat. Estudios sobre poesía hispánica medieval" 286-306, 2002

      20 Tiscornia E. F., "Gonzalo Argote de Molina/ el «Discurso sobre la poesía castellana»" Visor Libros 1995

      21 Bastian M, "Gephi: an open source software for exploring and manipulating networks" AAAI 2009

      22 Lloyd, Paul M, "From Latin to Spanish, series of Memoirs of the" 173 : 1989

      23 Morrás María, "Estudios sobre poesía hispánica medieval" Universidad Santiago de Compostela 335-370, 2002

      24 Green, Otis H, "España y la tradición occidental" Gredos 1969

      25 Sánchez Cantón, F. J., "Don Enrique de Villena/ Arte de Trobar" Visor Libros 1993

      26 Real Academia Española, "Diccionario de la lengua española" Espasa-Calpe 1992

      27 Mata Carriazo, Juan de, "Crónica de Juan II de Castilla" Real Academia de la Historia 1982

      28 Sánchez Aragonés, "Cortes, monarquía y ciudades en Aragón, durante el reinado de Alfonso el Magnánimo(1416-1458)" Institución Fernando el Católico 1994

      29 Bustos Tovar, José Jesús de, "Contribución al estudio del cultismo léxico medieval" 305-736, 1974

      30 Salvador Miguel, Nicasio, "Cancionero de Estúñiga" Alhambra 1987

      31 Baik, Seung-Wook, "Aproximación al decir narrativo castellano del siglo XV" Juan de la Cuesta 2003

      32 Anthony, L., "AntConc (Version 4.1.1) [Computer Software]" Waseda University

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