A. Vivaldi Concerto '四季'의 樂曲構造에 關한 硏究 = A Study on the Structure of A. Vivaldi Concerto 'Four season'

다국어 초록 (Multilingual Abstract)

Commencing from the time of Renaissance which was established in early western European society, in the all fields of arts, active animating development has been repeated, and finally, in the field of music, we entered the days of Barouge who has built the essentials of the true usical arts as a new monumental achievement through formarity or conteats on the history of music.
During the one and a half century begining form just 16th century to later part of 17th century, all the basic form of musical piece that can be see now-a-days were created.
For first time, a chorus which was compiled with counterpoint was flourished but in the 16th century, the mmusical construction of Sonata and Concerto grosso which is near to Suite of composers such as G, Vitali(1644-1692), A. Coreili(1653-1713) G. Torelli(1658-1709) was made out.
Especially, the work of A. Corelli, had no prominent thing and the composer that made the form of concerto which is very near to the perfection, following after the musical diction his musical diction is A. Vivaldi(1680-1743).
He has made the best use of the specific character of the string instrument which is very near to humans's voice, and finally he has created many concerto and Concerto grosso with the balance, contrast and scientific method under the attemption of the piece composition complying with the subject with a deep concern about the similar sound or utterance of birds that human has desired.
Those technique of such kinds and the piece composition have been finally brought to the very summit of J.S. Bach(1685-1750) and G.F. Hendel(1685-1759) so called Baroque music.
The writer, with a will on this field, is willing to research the musical diction which was intended by A. Vivaldi seeing the how is the musical construction of Concerto grosso " Four Seasons" which was called as his masterpiece.

목차 (Table of Contents)

• Ⅰ. 序 論
• Ⅱ. A. Vivaldi(1675-1741)의 生涯
• Ⅲ. 그의 作品과 藝術的 背景
• Ⅳ. Concerto grosso에 對하여
• Ⅴ. 四季의 音樂的 特性
• Ⅵ. 四季의 形式 및 樂典構造
• Ⅶ. 結 論