法宗 虛靜의 <瀟湘八景次韻> 연구 - 내용과 구성에 나타난 불교적 감성을 중심으로 - = A Study on Beopjong(法宗)'s <Sosangpalgyeong-chaun>

다국어 초록 (Multilingual Abstract)

Sosangpalgyeong[瀟湘八景] as a theme of poet has been treated as a concern of the Confucian writer. However, I found that it was frequently borrowed as a poetical idea by Zen priest.
Then, what Sosangpalgyeong meant to Zen priest? The purpose of this article is to seek this question. Namely, it was the process to solve questions about the views of the space having eyes on the completion of spiritual awakening in a Buddhist above an element of the mood of Zen.
To solve these questions, I considered Beopjong(法宗, 1670~1733)'s <Sosangpalgyeong-Chaun[瀟湘八景次韻]> in this article. As a consequence, I could find that his works recited the process of ascetic exercises for spiritual awakening, a desire arose from the process, and metal attitude after spiritual awakening.
However, this study could have fundamental limitations because these kinds of poems have found rarely in a Buddhist. They were too little to study the comprehensive meaning of works in the expansive aspect.
In spite of that, the important thing is that there were different points of views on Beopjong(法宗)'s <Sosangpalgyeong-Chaun> and it is significant.

참고문헌 (Reference)

1 정민, "한시미학산책" 솔출판사 302-303, 2001

2 "한국고전번역원 누리집"

3 전경원, "소상팔경(瀟湘八景) 한시(漢詩)의 함의(含意)와 정서적(情緖的) 기여(寄與) - ‘평사낙ﾒ안(平沙落雁)’을 대상으로" 겨레어문학회 27 : 90-, 2001

4 전경원, "소상팔경(瀟湘八景) 한시(漢詩)의 함의(含意)와 정서적(情緖的) 기여(寄與) - ‘어촌ﾒ낙ﾒ조(漁村落照)’를 대상으로" 겨레어문학회 29 : 34-, 2002

5 전경원, "소상팔경(瀟湘八景) 한시(漢詩)의 함의(含意)와 정서적(情緖的) 기여(寄與) - ‘동정추월(洞庭秋月)’을 대상으로" 겨레어문학회 28 : 62-, 2002

6 법흥, "선의 세계" 도서출판호영 55-, 1992

7 조태성, "목우도(牧牛圖)의 십ﾒ게송과 선시" 한국고시가문학회 7 : 303-, 2000

8 "高麗史"

9 東國大學校韓國佛敎全書編纂委員會, "韓國佛敎全書 第九冊" 동국대학교출판부 1993

10 法宗虛靜, "虛靜集 卷上"

11 여기현, "瀟湘八景의 시적 형상화 양" 반교어문학회 15 : 38-, 2003

12 김신중, "瀟湘八景歌의 관습시적 성격" 한국고시가문학회 5 : 132-, 1998

13 月渚道安, "月渚堂大師集 卷上"