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      중국 근현대 通俗文學의 정립과정에 대한 고찰 = A Study on the Process of the Establishment of the Chinese Modern Popular Literature

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      https://www.riss.kr/link?id=A106487726

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      다국어 초록 (Multilingual Abstract)

      Writers of the Chinese New Literature have been making great efforts to sinicize the Western literature since the modern times, while writers of the Modern Popular one have been striving to modernize the traditional literature. Continuing the tradition of the ancient Chinese literature, There are two main literary reference frames for the Modern Popular Literature-the foreign literature and the New Literature. It is through absorbing and referencing the foreign translation literature that the Modern Popular Literature pushed the Chinese traditional literature to modernization in the process of negotiating and integrating with the Chinese New Literature, which distinguished itself from the New Literature.
      In terms of the form, the popular fiction of the Chinese Modern times has completely continued the structure of the Chinese traditional chapter fiction and improved and developed it to some extent. When it comes to the content, it also reflects the Chinese traditional outlooks on the value, the ideology and the morality which are regarded as the basic criterion for telling the right from the wrong. At the same time, with the Western literature’s being introduced into the East, writers of the Popular Literature have joined in the team of translating the foreign fiction. Based on a large number of translations and introductions of the Western fiction, they actively introduced the creation devices of it into their practice, which accelerated the process of the establishment of the Modern Popular Literature. As for the relationship with the New Literature, the Popular Literature debated, negotiated, interacted and integrated with the New Literature at the same time of accepting the criticism of it, and it formed the creation style and aesthetic characteristics of itself on this basis. Due to the common influence of self-development, external reference and internal integration, the Chinese Modern Popular Literature was finally established.
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      Writers of the Chinese New Literature have been making great efforts to sinicize the Western literature since the modern times, while writers of the Modern Popular one have been striving to modernize the traditional literature. Continuing the traditio...

      Writers of the Chinese New Literature have been making great efforts to sinicize the Western literature since the modern times, while writers of the Modern Popular one have been striving to modernize the traditional literature. Continuing the tradition of the ancient Chinese literature, There are two main literary reference frames for the Modern Popular Literature-the foreign literature and the New Literature. It is through absorbing and referencing the foreign translation literature that the Modern Popular Literature pushed the Chinese traditional literature to modernization in the process of negotiating and integrating with the Chinese New Literature, which distinguished itself from the New Literature.
      In terms of the form, the popular fiction of the Chinese Modern times has completely continued the structure of the Chinese traditional chapter fiction and improved and developed it to some extent. When it comes to the content, it also reflects the Chinese traditional outlooks on the value, the ideology and the morality which are regarded as the basic criterion for telling the right from the wrong. At the same time, with the Western literature’s being introduced into the East, writers of the Popular Literature have joined in the team of translating the foreign fiction. Based on a large number of translations and introductions of the Western fiction, they actively introduced the creation devices of it into their practice, which accelerated the process of the establishment of the Modern Popular Literature. As for the relationship with the New Literature, the Popular Literature debated, negotiated, interacted and integrated with the New Literature at the same time of accepting the criticism of it, and it formed the creation style and aesthetic characteristics of itself on this basis. Due to the common influence of self-development, external reference and internal integration, the Chinese Modern Popular Literature was finally established.

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      참고문헌 (Reference)

      1 최병균, "풍류정신으로 보는 중국문학사" 예문서원 1998

      2 홍석표, "중국현대문학사" 이화여자대학교출판사 2009

      3 전병석, "중국현대 통속문학의 대가 장한수(張恨水)소설의 의의" (40) : 2010

      4 위행복, "중국의 서구문화 수용과 토착화 양상 분석- 淸末民初 通俗小說의 분석을 통하여-" 중국인문학회 (33) : 443-469, 2006

      5 박종숙, "중국문학의 전통과 모색" 신아사 2008

      6 엄영욱, "중국근대 문학사상 연구" 전남대학교출판부 2009

      7 임춘성, "중국 근현대문학사 담론과 타자화의 정치학" 한국중국현대문학학회 (48) : 1-33, 2009

      8 임춘성, "중국 근현대문학사 담론과 타자화" 문학동네 2013

      9 임춘성, "중국 ‘근현대’ 문학사 담론과통속문학의 복권" 한국중국현대문학학회 (44) : 251-258, 2008

      10 이보경, "루쉰의 원앙호접문학 비판을 둘러싼 지형도" 한국중어중문학회 (51) : 235-256, 2012

      1 최병균, "풍류정신으로 보는 중국문학사" 예문서원 1998

      2 홍석표, "중국현대문학사" 이화여자대학교출판사 2009

      3 전병석, "중국현대 통속문학의 대가 장한수(張恨水)소설의 의의" (40) : 2010

      4 위행복, "중국의 서구문화 수용과 토착화 양상 분석- 淸末民初 通俗小說의 분석을 통하여-" 중국인문학회 (33) : 443-469, 2006

      5 박종숙, "중국문학의 전통과 모색" 신아사 2008

      6 엄영욱, "중국근대 문학사상 연구" 전남대학교출판부 2009

      7 임춘성, "중국 근현대문학사 담론과 타자화의 정치학" 한국중국현대문학학회 (48) : 1-33, 2009

      8 임춘성, "중국 근현대문학사 담론과 타자화" 문학동네 2013

      9 임춘성, "중국 ‘근현대’ 문학사 담론과통속문학의 복권" 한국중국현대문학학회 (44) : 251-258, 2008

      10 이보경, "루쉰의 원앙호접문학 비판을 둘러싼 지형도" 한국중어중문학회 (51) : 235-256, 2012

      11 이명신, "鸳鸯蝴蝶派批评的历史记述" 중국어문학연구회 (64) : 429-442, 2010

      12 芮和師, "鴛鴦蝴蝶派文學資料" 福建人民出版社 1984

      13 鲁迅, "鲁迅全集(第6-8 卷)" 人民文学出版社 1991

      14 包天笑, "钏影楼回忆录" 香港大华出版社 1971

      15 김영기, "赵树理의 通俗手法 채용의 의의 및 한계" (13) : 2000

      16 胡適, "胡適文集(2)" 人民文学出版社 1998

      17 李欧梵, "福尔摩斯在中国" (2) : 2004

      18 严家炎, "现代性:二十世纪中国文学的显著特征" (5) : 2005

      19 李欧梵, "现代性的追求" 三联书店 2000

      20 劉揚體, "流變中的流派鴛鴦蝴蝶派新論" 中國文聯出版公司 1997

      21 朱自清, "朱自清古典文学论文集" 上海古籍出版社 1980

      22 阿英, "晩淸小說史" 人民文學出版社 1980

      23 温儒敏, "新文学现实主义的流变" 北京大学出版社 2007

      24 陳平原, "二十世紀中國小說理論資料(第一卷)" 北京大學出版社 1989

      25 范伯群, "中國近現代通俗文學史" 江蘇敎育出版社 2000

      26 徐中玉, "中國近代文學大系·文學理論集2" 上海書局 1995

      27 吳禮權, "中國言情小說史" 臺灣商務印書館 1995

      28 張華, "中國現代通俗小說流變" 山東文藝出版社 2000

      29 徐德明, "中國現代小說雅俗流變與整合" 社會科學文獻出版社 2002

      30 陳平原, "中國小說敍事學" 살림 1994

      31 장수연, "中國 通俗小說의 국내 유입과 受容 연구" 한국중국소설학회 (41) : 41-72, 2013

      32 严家炎, "中国现代小说流变史" 人民文学出版社 1989

      33 杨义, "中国现代小说史" 人民文学出版社 1988

      34 周作人, "中国新文学的源流" 江苏文艺出版社 2007

      35 Rey Chow, "Mandarin Ducks and Butterflies: Towards a Rewriting of Modern Chinese Literary History" Stanford University 1986

      36 E. Perry Link, Jr, "Mandarin Ducks and Butterflies" University of California Press 1981

      37 신진호, "21세기 중국문학 패러다임의 변화― 인터넷문학을 중심으로" 중국어문학연구회 (86) : 299-318, 2014

      38 范伯群, "20世纪中国现代通俗文学史" 高等教育出版社 2006

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2003-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2000-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.24 0.24 0.21
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.19 0.19 0.477 0.12
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