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    This article started with the problem of consciousness and the purpose that 『Simbongsa』 reflected Chae, Man-sik`s resistance will to the violence and oppression of the traditional family system. The decisive motive which Chae, Man-sik hanged on 『Simbongsa』 tenaciously is the his criticism and resistance will to the traditional family structure which was based on patriarchal ideology. In this context, this paper interpreted 『simbongsa』 as the practice of Oedipus desire which want to interrogate and punish oppression and violence of the traditional family system which is based on despotic power of patriarch. 『Simbongsa』 repeated the grammar and pattern of novels which reflected Chae, Man-sik`s resistance and confrontation to the traditional family system which based on despotic power of patriarch. Parodic appropriation of 『Simbongsa』 has be revealed two main aspects of appropriation. One is for simbongsa`s shaped part, and the other is the ending part. Simbongsa who functions as the subject of the narrative in the 『Simbongsa』 has been shaped as the character who has moral and ethical shortcomings compared with Simbongsa in the 『Simchongjeon』. Chae, Man-sik seems to reveal his criticism and resistance will to the traditional family system most clearly through the disastrous tragic ending which again to return to the blind which his eyes were stabbed himself. In this context, this article interpreted Simbongsa as metaphorical substitution of the traditional family system, and Simbongsa`s act blind his eyes again by the act of himselves stabbing as symbolic manifestation of the symbolic castration and punishment to the Korean`s traditional family system.
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    This article started with the problem of consciousness and the purpose that 『Simbongsa』 reflected Chae, Man-sik`s resistance will to the violence and oppression of the traditional family system. The decisive motive which Chae, Man-sik hanged on ...

    This article started with the problem of consciousness and the purpose that 『Simbongsa』 reflected Chae, Man-sik`s resistance will to the violence and oppression of the traditional family system. The decisive motive which Chae, Man-sik hanged on 『Simbongsa』 tenaciously is the his criticism and resistance will to the traditional family structure which was based on patriarchal ideology. In this context, this paper interpreted 『simbongsa』 as the practice of Oedipus desire which want to interrogate and punish oppression and violence of the traditional family system which is based on despotic power of patriarch. 『Simbongsa』 repeated the grammar and pattern of novels which reflected Chae, Man-sik`s resistance and confrontation to the traditional family system which based on despotic power of patriarch. Parodic appropriation of 『Simbongsa』 has be revealed two main aspects of appropriation. One is for simbongsa`s shaped part, and the other is the ending part. Simbongsa who functions as the subject of the narrative in the 『Simbongsa』 has been shaped as the character who has moral and ethical shortcomings compared with Simbongsa in the 『Simchongjeon』. Chae, Man-sik seems to reveal his criticism and resistance will to the traditional family system most clearly through the disastrous tragic ending which again to return to the blind which his eyes were stabbed himself. In this context, this article interpreted Simbongsa as metaphorical substitution of the traditional family system, and Simbongsa`s act blind his eyes again by the act of himselves stabbing as symbolic manifestation of the symbolic castration and punishment to the Korean`s traditional family system.

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