한국의 형태 : 구성요인 및 분류 = A Study on the Principle and Classification in the Forms of Korean Traditional Arts

다국어 초록 (Multilingual Abstract)

We are able to see the specific artistic order in Korea traditional arts which was built through long period.
That is not only stands for the beauty closed up in the Korean society but also systematical orders in the creative conceptions. This kind of order has a thread of connection with the arts of western styles which are based on systematical approaches and functional designs and the constructural modernism.
These Korea traditional arts especially shapes of lattics, patterns of small wrapping clothes, etc. have been used from very moment of their creations up to now to the our real life so we could regard them that these are attracitive to human mind and have some general values in terms of formal art. So, we might be reach to the analysis of the artistic theory which supporting the universities.
In this research, I would like to have a formal analyse with a systematical approach method. The subject of this study might be Korean traditional arts which are in existence up to now and the final goal of this might be to draw out s general asthetic view.
I set up the subject of this study on the Korean traditional plastic art so as that I could have more understanding on the specific personality of Koreans, especially perceptions on the forms, including myself. Also, I realise that I should sort out the order and perception of the Korean original beauty which can be seen on the Korean art not through the usual methods of approach ideologically or subjectively toward Korean styles of asthetic view but systematically with the objectivity and the structural fomula. Because we have betteridea of living standards, experiences and the sence of value, so, we are able to for see the traditional art in a new view point, therefore, we have to consider what we could abtain from its result and how we could reflect it to today`s art.
In this study, I have a definition of the background and specific points of Korean traditional art, its diversity afterwards. And with this definition I would like to make it clear the boundary of the art and methods of the sampling, in addition, I am going to classify and arrange the art which was give from photographs.
On account of limited space, I would rather stretch my study to the classification of art and I will leave more analysis on the specific characteristics which is shown in the formal art next time.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 한국의 전통적 조형의 성립배경
• 1. 자연조건적 배경
• 2. 역사적 배경
• 3. 정신적 배경
• 4. 성립의 양상
• Ⅲ. 한국의 전통적 조형에 있어서의 형태
• 1. 형태의 정의
• 2. 분류방법과 범위
• Ⅳ. 한국의 형태의 분류와 고찰
• 1. 리듬(rhythm)
• 2. 바란스(balance)
• 3. 배치(lay out)
• 4. 무브먼트(movement)
• 5. 그루핑(grouping)
• 6. 조인트(joint)
• 7. 서라운드(surround)
• 8. 리덕션(reduction)
• 9. 트란스포메이션(transformation)
• 10. 텍스춰(texture)
• Ⅴ. 한국의 형태의 특징과 조형사고
• Ⅵ. 맺는말