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      강증산 천지공사의 종교적 상징체계에 관한 연구 = A Study on the System of Religious Symbolism in Gang Jeung san`s Cheunjigongsa

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      https://www.riss.kr/link?id=A75527824

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      A symbol is an expression of an invisible abstract substance using a visible from. Particularly when the invisible substance indicates something sacred, transcendental and divine, the symbol becomes religious. Because the world accessed through symbols pursues invisible and high dimensional things, the value of symbols is raised higher when they find their meanings in religious phenomena. That is, the core of religious symbolism is that symbols are not regarded merely as symbols. Rather, because people try to approach the realities of religion closer through symbolic expressions, they can participate in the real life when they contact the religious symbols. Here, the faith that one has becomes a precondition for experiencing the universal and ultimate reality through the medium of such religious symbols. The present study examined Gang Jeung san`s record of the Cheunjigongsa(heavenly and earthly works, 天地公事) filled with numerous symbolic expressions, and analyzed the structure of the symbols from the viewpoint of religious symbolism and the characteristics of the expressions. For this, we examined the meanings of symbols such as natural objects, rituals, myths, sentences, figures, place names, buildings, food, articles and colors that are mentioned in the Cheunjigongsa. In addition, this study pointed out that the symbolic system has the belief of Gucheonsangje(九天上帝) and the view of universe of Hucheongaebyeok(後天開闢) as the characteristics of religious symbols and, furthermore, supports the symbolic expression of the traditional Ki(氣) Theory of the Orient. The discussion in this study shows that symbols are used richly in religious expressions by Gang Jeung san, a new modem religionist in Korea, and it is important to interpret these symbols to understand his idea.
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      A symbol is an expression of an invisible abstract substance using a visible from. Particularly when the invisible substance indicates something sacred, transcendental and divine, the symbol becomes religious. Because the world accessed through symbol...

      A symbol is an expression of an invisible abstract substance using a visible from. Particularly when the invisible substance indicates something sacred, transcendental and divine, the symbol becomes religious. Because the world accessed through symbols pursues invisible and high dimensional things, the value of symbols is raised higher when they find their meanings in religious phenomena. That is, the core of religious symbolism is that symbols are not regarded merely as symbols. Rather, because people try to approach the realities of religion closer through symbolic expressions, they can participate in the real life when they contact the religious symbols. Here, the faith that one has becomes a precondition for experiencing the universal and ultimate reality through the medium of such religious symbols. The present study examined Gang Jeung san`s record of the Cheunjigongsa(heavenly and earthly works, 天地公事) filled with numerous symbolic expressions, and analyzed the structure of the symbols from the viewpoint of religious symbolism and the characteristics of the expressions. For this, we examined the meanings of symbols such as natural objects, rituals, myths, sentences, figures, place names, buildings, food, articles and colors that are mentioned in the Cheunjigongsa. In addition, this study pointed out that the symbolic system has the belief of Gucheonsangje(九天上帝) and the view of universe of Hucheongaebyeok(後天開闢) as the characteristics of religious symbols and, furthermore, supports the symbolic expression of the traditional Ki(氣) Theory of the Orient. The discussion in this study shows that symbols are used richly in religious expressions by Gang Jeung san, a new modem religionist in Korea, and it is important to interpret these symbols to understand his idea.

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