高句麗 卷雲文 瓦當의 成立과 그 背景 = Formation of Cloud-Patterned Roof-end Tiles of the Goguryeo Kingdom and Its Background

다국어 초록 (Multilingual Abstract)

This study reviews the main cases and transition process of cloud-patterned roof-end tiles of the Goguryeo Kingdom focusing on those that were excavated in Guknaesung. Therefore, the study deals with the meaning of patterns and words carved into the cloud-patterned roof-end tiles and the background of the thoughts for a more specific approach to the mental world of the people of the Goguryeo Kingdom.
It issuspected that cloud-patterned roof-end tiles started to appear before the end of the early part of the 4th century (the 4th year of Taenyung). The cloud-patterned roof-end tiles at that time were not made due to the influence of China or the Four ChineseCommendaries of Han but made with their own unique patterns and manufacturing method. In particular, in relation to the formation of roof-end tiles, this study focused on analyzing Taenyungmyung tiles and the characters carved on the roof-end tiles. Though they showed similar aspects in terms of basic patterns with the Chinese cloud-patterned roof-end tiles, it was found that there were many unique elements of Goguryeo in the detailed patterns of the central part, the cloud-patterns, and the edges.
That is, even in the same kinds of Taenyungmyung roof-end tiles, the central pattern and cloud-patterns were separated and then connected again.
They are clear and distinct in that the cloud-patterns were divided changing in an 8→4→8→4 motif; that the lotus-pattern newly appeared; that the pattern size was changed to a large one from a small one, and most of all, that the edges were expressed on a plane while the edgings of the Chinese cloud-patterned roof-end tiles were expressed on the concave part.
There were characters on the cloud-patterned roof-end tiles but they were changed to those without characters. Also, the lotus-pattern was reduced gradually. Through such finite changes, they were developed as unique roof-end tiles of the Goguryeo Kingdom and were not under the influence of the Four Chinese Commendaries of Han.
It was analyzed that the edges of the central part of the roof-end tiles of the Goguryeo Kingdom adopted the mirror patterns of Shinsumun or Banryong. As such, the cloud-patterned roof-end tiles with mirror patterns took on the role of protecting buildings and tombs. By assigning mirror images that distinguished the right and wrong described in the words on the eaves of tombs or palaces, they tried to separate the good and right aura entering through the roof from the bad and wrong aura. Those tiles took on the role of guardians that protected tombs and palaces. This came from the unique philosophy of Goguryeo. Therefore, it is required to reconsider the simple position based on a dissemination hypothesis that the early roof-end tiles of the Goguryeo Kingdom were affected by the manufacturing method of those of the Four Chinese Commendaries of Han.

목차 (Table of Contents)

• Ⅰ. 序論
• Ⅱ. 主要 事例와 變遷
• Ⅲ. 銘文 意味와 思想的 背景
• Ⅳ. 結論
• [Abstract]

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