김경욱 소설의 영화적 상상력 = The Cinematic Imagination of Kim Kyeong Wook's Novels

다국어 초록 (Multilingual Abstract)

We are living in the era of visualization, which means we are more familiar with movies than we are with literature, and with mass media than with books. However, it is hard to define this trend negatively, because images and loners cannot be substituted for one another. They accept their differences, and even share intertextual exchanges and relations. Therefore, movies use the narrative structure of the novel and novels use the imagination and techniques of movies in new ways.
Kim Kyeong Wook's noel Bagbdad Cafe Doesn't」 Have Coffee provides a good example of utilizing movies in the World Of literature. first, this novel adopts motifs and techiques from movies and displays visual images. Second, photography, editing, and lighting techniques are used in the text. Third using the cinematic technique of montage, the writer deconstrucrs the unitary focus of the modern viewpoint. Fourth, this novel avoids the overdetermined and predictable naming of characters, and instead uses a perceptual and visual naming through the writer's observation.
In conclusion Kim Kyeong Wook's novels are a meaningful attempt to represent a harmony between visual images and conceptual letters, and one of the answers to the question of where literature is currently located.

목차 (Table of Contents)

• 1. 영상시대라는 말
• 2. 영상언어와 문자언어
• 3. 영화의 소설화, 그리고 문자의 영상화
• 3.1. 영화 이미지의 차용 양상
• 3.2. 영화 기술(技術)의 소설적 전이
• 3.3. 몽타주 기법의 빈용(頻用)
• 3.4. 인물 명명(命名)의 시각적 제시
• 3.5. 문법적 장치들
• 4. 맺는 말