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    백련사 사적비 (圓妙國師碑) 귀부의 미술사적 의의 = Art Historical Meaning of The Turtle Shaped Pedestal for Baekryun-sa temple`s Memorial Stele

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Baekryun-sa temple`s memorial stele has an unusual history, as the body of stele has been erected when this temple was renovated in the Joseon Dynasty but the pedestal dates back to the Goryeo Dynasty. The roof of this stele is presumed that also be made with the body together at the late of 17 century. The turtle shaped pedestal must be originally for the stele of the monk Ryoseh(了世) who was died at 1245 because it can be date at middle of 13th century by the stylistic analysis.
    And the most distinguishing part of this pedestal is a lion`s mane around the neck and it is very hard to find in other cases yet. It is difficult to explain why this pedestal of turtle shaped has a lion`s mane. However, the appearance of this lion mane may not be just a description of the hair, but it may be suggestive of some sacred aura coming out from the body, so further research about this expression is needed.
    In order to recycle the old pedestal, which was for Ryoseh who was an important achievement in the history of Baekryun-sa temple, it is necessary to balance between the original pedestal and the new stele monument, especially the size of the hole on the pedestal and the nip of the stele and so on. It is also noted that the dragon decoration of the roof is also referring to the old style of the pedestal by some extent considering for the stylistic unity.
    Such recycling is thought to be a very natural, economical and rational way to think, but it is unusual in that it is hard to find such cases in other temples. Why was the part of destroyed monument for the important monk Ryoseh did not reconstructed but recycled as a pedestal of the new documental monument of Baekryun-sa temple like this? This situation is a reference for estimating the perception of the later generations of the obsolete stone to the temple and I hope to leave this theme as a task to be studied further.
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    Baekryun-sa temple`s memorial stele has an unusual history, as the body of stele has been erected when this temple was renovated in the Joseon Dynasty but the pedestal dates back to the Goryeo Dynasty. The roof of this stele is presumed that also be m...

    Baekryun-sa temple`s memorial stele has an unusual history, as the body of stele has been erected when this temple was renovated in the Joseon Dynasty but the pedestal dates back to the Goryeo Dynasty. The roof of this stele is presumed that also be made with the body together at the late of 17 century. The turtle shaped pedestal must be originally for the stele of the monk Ryoseh(了世) who was died at 1245 because it can be date at middle of 13th century by the stylistic analysis.
    And the most distinguishing part of this pedestal is a lion`s mane around the neck and it is very hard to find in other cases yet. It is difficult to explain why this pedestal of turtle shaped has a lion`s mane. However, the appearance of this lion mane may not be just a description of the hair, but it may be suggestive of some sacred aura coming out from the body, so further research about this expression is needed.
    In order to recycle the old pedestal, which was for Ryoseh who was an important achievement in the history of Baekryun-sa temple, it is necessary to balance between the original pedestal and the new stele monument, especially the size of the hole on the pedestal and the nip of the stele and so on. It is also noted that the dragon decoration of the roof is also referring to the old style of the pedestal by some extent considering for the stylistic unity.
    Such recycling is thought to be a very natural, economical and rational way to think, but it is unusual in that it is hard to find such cases in other temples. Why was the part of destroyed monument for the important monk Ryoseh did not reconstructed but recycled as a pedestal of the new documental monument of Baekryun-sa temple like this? This situation is a reference for estimating the perception of the later generations of the obsolete stone to the temple and I hope to leave this theme as a task to be studied further.

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    참고문헌 (Reference)

    1 정형호, "한국의 석조미술" 서울대학교 출판부 1998

    2 민현구, "월남사지 진각국사비의 음기에 대한 일고찰" 36 : 1973

    3 백련사, "원묘국사의 재조명" 2012

    4 백련사, "원묘국사 요세와 백련결사운동" 2011

    5 엄기표, "안성 칠장사와 혜소국사 정현" 사회평론 2011

    6 엄기표, "백련사 석조유물의 종합적 검토와 원묘국사 부도와 탑비의 원형시론" 백련사·목포대 호남문화연구소 2012

    7 김두진, "만덕사지해제" 9 : 1977

    8 정약용, "만덕사지" 아세아문화사 1977

    9 "동문선"

    10 양정민, "고려시대 석비의 비신조각 연구" 동국대학교 대학원 2007

    1 정형호, "한국의 석조미술" 서울대학교 출판부 1998

    2 민현구, "월남사지 진각국사비의 음기에 대한 일고찰" 36 : 1973

    3 백련사, "원묘국사의 재조명" 2012

    4 백련사, "원묘국사 요세와 백련결사운동" 2011

    5 엄기표, "안성 칠장사와 혜소국사 정현" 사회평론 2011

    6 엄기표, "백련사 석조유물의 종합적 검토와 원묘국사 부도와 탑비의 원형시론" 백련사·목포대 호남문화연구소 2012

    7 김두진, "만덕사지해제" 9 : 1977

    8 정약용, "만덕사지" 아세아문화사 1977

    9 "동문선"

    10 양정민, "고려시대 석비의 비신조각 연구" 동국대학교 대학원 2007

    11 정선종, "고려말 석비의 변화에 대하여-양식과 재료를 중심으로-" 한국문화사학회 11·12·13 : 1999

    12 최연식, "高麗時代 高僧의 僧碑와 門徒" 한국중세사학회 (35) : 7-36, 2013

    13 秦星圭, "高麗後期 眞覺國師 혜심 연구" 中央大學校 大學院 1986

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    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
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    2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
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    2008-06-09 학술지명변경 한글명 : 불교미술사학 -> 강좌미술사
    외국어명 : BULKYOMISULSAHAK -> The Art History Journal
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    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
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    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.21 0.21 0.23
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.26 0.3 0.589 0
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