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      마녀들의 언어와 상징질서의 파괴: 『맥베스』를 중심으로 = Witch’s Language and its symbolic order destruction: With reference to Macbeth

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      https://www.riss.kr/link?id=A106605315

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      다국어 초록 (Multilingual Abstract)

      This paper attempts to interpret the language of the witches in Macbeth stimulates the inside of Macbeth, destroys the order of society, and at the same time implies the voice of the dominant. Macbeth’s plot is that those who condemn the king and seize it will eventually destroy. Shakespeare, however, is bringing this drama to the psychological and morphological level by giving Macbeth his inner conflict and distress. Macbeth evokes readers’ sympathy and compassion by showing the image of the wicked who is obsessed with power and forsaking humanity and morality, while also showing the moral conflict to resist the temptation of evil. Shakespeare accepts the ruling discourses of his time at Macbeth but also contains the voice of the other. This is like the paradoxical expansion of the witch’s “Fair is foul, and Foul is fair.” Macbeth consists of structures that prove this paradox from beginning to end. Shakespeare secretly deconstruct the advocacy theme in front of James I through the writing Paradox. (Chungwoon University)
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      This paper attempts to interpret the language of the witches in Macbeth stimulates the inside of Macbeth, destroys the order of society, and at the same time implies the voice of the dominant. Macbeth’s plot is that those who condemn the king and se...

      This paper attempts to interpret the language of the witches in Macbeth stimulates the inside of Macbeth, destroys the order of society, and at the same time implies the voice of the dominant. Macbeth’s plot is that those who condemn the king and seize it will eventually destroy. Shakespeare, however, is bringing this drama to the psychological and morphological level by giving Macbeth his inner conflict and distress. Macbeth evokes readers’ sympathy and compassion by showing the image of the wicked who is obsessed with power and forsaking humanity and morality, while also showing the moral conflict to resist the temptation of evil. Shakespeare accepts the ruling discourses of his time at Macbeth but also contains the voice of the other. This is like the paradoxical expansion of the witch’s “Fair is foul, and Foul is fair.” Macbeth consists of structures that prove this paradox from beginning to end. Shakespeare secretly deconstruct the advocacy theme in front of James I through the writing Paradox. (Chungwoon University)

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      참고문헌 (Reference)

      1 Eagleton, Terry, "셰익스피어 정치적 읽기" 민음사 2018

      2 Harding, D. W, "Woman’s Fantasy of Manhood: A Shakespearean Theme" 20 : 245-, 1969

      3 Kirsch, Arthur, "The Passions of Shakespeare’s Tragic Heroes" Virginia UP 1990

      4 Newell, Philp, "Shakespeare and the Human Mystery" Paulist P 2003

      5 Bayley, John, "Shakespeare and Tragedy" Routledge & Kegan Paul 1981

      6 Goldberg, Jonathan, "Shakespeare Reproduced" Methuen 242-265, 1987

      7 Margolies., David, "Monsters of the Deep" Manchester UP 1992

      8 Calderwood, James L, "If it were done : Macbeth and Tragic Action" U of MA P 1986

      9 Lacan, Jaques, "Ecrits: A Selection" Norton 1977

      10 Reed, Robert Rentoul, Rr, "Crime and God’s Judgement in Shakespeare" Kentucky UP 1984

      1 Eagleton, Terry, "셰익스피어 정치적 읽기" 민음사 2018

      2 Harding, D. W, "Woman’s Fantasy of Manhood: A Shakespearean Theme" 20 : 245-, 1969

      3 Kirsch, Arthur, "The Passions of Shakespeare’s Tragic Heroes" Virginia UP 1990

      4 Newell, Philp, "Shakespeare and the Human Mystery" Paulist P 2003

      5 Bayley, John, "Shakespeare and Tragedy" Routledge & Kegan Paul 1981

      6 Goldberg, Jonathan, "Shakespeare Reproduced" Methuen 242-265, 1987

      7 Margolies., David, "Monsters of the Deep" Manchester UP 1992

      8 Calderwood, James L, "If it were done : Macbeth and Tragic Action" U of MA P 1986

      9 Lacan, Jaques, "Ecrits: A Selection" Norton 1977

      10 Reed, Robert Rentoul, Rr, "Crime and God’s Judgement in Shakespeare" Kentucky UP 1984

      11 Leihart, Peter J., "Brightest Heaven of Invention" Canon P 1996

      12 Shaheen Naseeb, "Biblical Reference in Shakespeare’s Plays" U of Delware P 2002

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.25 0.25 0.27
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.27 0.26 0.598 0.13
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