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    당대 중국의 관방 담론과 민간 정서가 만들어내는 미디어 지형 엿보기 - 드라마 「위장자(僞裝者)」와 「랑야방(琅琊榜)」을 중심으로 = A Look into a Media Landscape Created by the Official Discourse and Civil Sentiment of Contemporary China: With a Focus on Dramas Weizhuangzhe and Langyabang

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    https://www.riss.kr/link?id=A103557979

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Chinese dramas are manufactured and produced from a framework of official policy and institution, and this media is placed within a system located inside the magnetic field of mainstream ideology. However, dramas cannot disregard civil sentiment and its contents if they want to include an ideology that maintains the Chinese system, and, simultaneously, they cannot disregard mainstream ideology if they intend to express civil sentiment and its contents.
    Chinese mainstream dramas needed to adopt more flexible and entertaining elements by breaking away from existing stereotyped matter in order to widely publicize and spread party ideology and official policy. Only in this way could broadcasting stations secure viewers and investors be guaranteed large profits. The secularization of mainstream dramas is a result of collaboration between official ideology and the market. During this process, following various policies and changing situations, mainstream dramas have recently earned the popularity of the masses by the narrative of double agents which makes use of intricate developments, subplots, crises, and twists, with a focus on ‘espionage’.
    The present study shows, through two dramas, how media within the system promotes the ‘public interests’ of ratings and profit-making through ‘double agents’ and the ‘tactics of the weak’ in an arena of ideology which includes the official and the civil. Furthermore, Chinese dramas reveal how official ideology, market capital, writers and the desires of viewers collude, check, cooperate, and oppose each other within the space of drama to form a contemporary media landscape.
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    Chinese dramas are manufactured and produced from a framework of official policy and institution, and this media is placed within a system located inside the magnetic field of mainstream ideology. However, dramas cannot disregard civil sentiment and i...

    Chinese dramas are manufactured and produced from a framework of official policy and institution, and this media is placed within a system located inside the magnetic field of mainstream ideology. However, dramas cannot disregard civil sentiment and its contents if they want to include an ideology that maintains the Chinese system, and, simultaneously, they cannot disregard mainstream ideology if they intend to express civil sentiment and its contents.
    Chinese mainstream dramas needed to adopt more flexible and entertaining elements by breaking away from existing stereotyped matter in order to widely publicize and spread party ideology and official policy. Only in this way could broadcasting stations secure viewers and investors be guaranteed large profits. The secularization of mainstream dramas is a result of collaboration between official ideology and the market. During this process, following various policies and changing situations, mainstream dramas have recently earned the popularity of the masses by the narrative of double agents which makes use of intricate developments, subplots, crises, and twists, with a focus on ‘espionage’.
    The present study shows, through two dramas, how media within the system promotes the ‘public interests’ of ratings and profit-making through ‘double agents’ and the ‘tactics of the weak’ in an arena of ideology which includes the official and the civil. Furthermore, Chinese dramas reveal how official ideology, market capital, writers and the desires of viewers collude, check, cooperate, and oppose each other within the space of drama to form a contemporary media landscape.

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    참고문헌 (Reference)

    1 易小白, "論涉案劇到諜戰劇的策略轉型" (5) : 2010

    2 권기철, "헤겔과 독일관념론" 철학과현실사 2006

    3 이진우, "카를 마르크스ㆍ프리드리히 엥겔스 공산당 선언" 책세상 2006

    4 임영호, "스튜어트 홀의 문화이론" 한나래 2008

    5 가라타니 고진, "세계 공화국으로" 도서출판b 2007

    6 원톄쥔, "백년의 급진" 돌베개 2013

    7 "瑯琊榜"

    8 孫曉忠, "居變時代的思想與文化 ― 文化硏究對話彔" 上海書店出版社 2011

    9 "偽裝者"

    10 "http://news.xinhuanet.com/politics/2015-10/14/c_1116825558.htm"

    1 易小白, "論涉案劇到諜戰劇的策略轉型" (5) : 2010

    2 권기철, "헤겔과 독일관념론" 철학과현실사 2006

    3 이진우, "카를 마르크스ㆍ프리드리히 엥겔스 공산당 선언" 책세상 2006

    4 임영호, "스튜어트 홀의 문화이론" 한나래 2008

    5 가라타니 고진, "세계 공화국으로" 도서출판b 2007

    6 원톄쥔, "백년의 급진" 돌베개 2013

    7 "瑯琊榜"

    8 孫曉忠, "居變時代的思想與文化 ― 文化硏究對話彔" 上海書店出版社 2011

    9 "偽裝者"

    10 "http://news.xinhuanet.com/politics/2015-10/14/c_1116825558.htm"

    11 "http://ent.sina.com.cn/v/m/2016-02-17/doc-ifxpmpqt1376789.shtml"

    12 Michel de Certeau, "The Practice of Everyday Life" University of California Press 1984

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2002-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    1999-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.44 0.44 0.36
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.37 0.34 0.589 0.43
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