영화 <요리사, 도둑, 그의 아내 그리고 그녀의 정부>에 의해서 환기된 혐오반응 = <아리스토텔레스, 프로이트 그리고 지라르의 인지주의적 관점 비교 연구>

다국어 초록 (Multilingual Abstract)

How violent actions could affect us hedonically? The Eyes of the audience are consistently fixed to the scenes of The Film <The Cook> which is repulsive but beautiful, or beautiful but repulsive and then they seriously question themselves about raison(reason) and deraison. The opening of the film <The Cook>, The Thief, Albert(Michael Gambon) harass a poor sacrifice, boy forcing to eat crap and having a piss very cruelly and viciously. From a commonsesne standpoint, As soon as Some audience saw the disgusting scene, they ran out a theater expressing disgust. but such a situation never happened. Maybe the director, Peter Greenaway reckons on not giving rise to that happening. Moreover, Some audience can afford to get an obvious thrill out of abhorrence of reproduced screen image. It is the same meaning that Sade was sure that Inside of us as human has been exactly ‘Sadism’ like theory of ‘Freud’. Of course, ‘Freud’ mustbe clear about harsh sexual desire of human. Either realistically or artificially, The audience having seen the film experienced almost simultaneously repulsion and enchantment. Eventually, throughout the film <The Cook> The director Peter Greenaway would expect that the audience went through a strong impact effect like that. I suppose that the film <The Cook> is to be what is a ‘Sadism’ within very expanded meaning. The audience are focused on the screen which teem with extremely voluptuous sexual desire that is sexual behavior, violence, voyerism, power and sin etc. The Film <The Cook> involved the image which was identified with the thought that human being cannot choose but feel an extreme pleasure simultaneously with an extreme unpleasure. but The film <The Cook> has to confront the audience with a sexual perversion and the audience is obliged to recognize a impersonality concealing inner side of human being. Simultaneously the audience is obliged to appreciate a relation of a hedonic death and a voluptuous pleasure life. In an extension of a hedonic death and a voluptuous pleasure life, we should reflect seriously how to experience pleasure into unpleasure or unpleasure into pleasure. Finally the film <The Cook> implies that a moral sense of human being could be found all the better by a process of observing a staggering immoral action and how to be easily broken. From now, I give a description of this problem Focusing on Freud’s perspective.

목차 (Table of Contents)

• 1. 들어가며
• 2. 아리스토텔레스
• 2. 프로이트
• 3. 르네 지라르
• 4. 나오며
• 참고문헌
• Abract

참고문헌 (Reference)

1 김현, "폭력의 구조/시칠리아의 암소" 문학과지성사 1993

2 르네 지라르, "폭력과 성스러움" 민음사 1999

3 지그문트 프로이트, "쾌락의 원칙을 넘어서, 프로이트 전집14" 열린책들 1997

4 조르주 바타이유, "에로티즘의 역사" 민음사 2000

5 아리스토텔레스, "시학" 문예출판사 1999

6 지그문트 프로이트, "성욕에 관한 세편의 에세이, 프로이트 전집9" 열린책들 1997

7 질 들뢰즈, "매저키즘" 인간사랑 1996

8 르네 지라르, "낭만적 거짓과 소설적 진실" 한길사 2001