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      조지훈 시의 예외성과 보편성 ―월정사 시편을 중심으로― = A Study on the Exceptionality and Universality of Cho Ji-hoon’s Poetry ―Focusing on Woljeongsa Poems―

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      https://www.riss.kr/link?id=A107319985

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      다국어 초록 (Multilingual Abstract)

      This study is an attempt to reconsider the exceptionality and universality of Cho Ji-hoon’s poems after confirming the classic thought system contained in the poems oof Woljeongsa in 1941, which Cho Ji-hoon himself called ‘The Natural Poetry of Description.’ The subject matter of the poems created during his stay at Woljeongsa is mostly natural objects reflecting the circular world of the East. The speaker controlled the exposure of inner emotions and showed contemplation of the nature of the circular world. Previously, he showed feelings of grief by paying attention to the subject matter of traditional culture during the Japanese colonial rule, where political speech was prohibited. Afterwards, he expressed his poetry, historical consciousness and critical sensibility related to common events in modern Korean history such as the Korean War in 1950, the corruption politics of the Liberal Party, and April 19 in 1960.
      Cho Ji-hoon recalled the poems of Woljeongsa as his poetic hometown. It seems appropriate to understand the meaning of hometown as an archetype that cannot be returned after leaving once, rather than an archetype that can be found anywhere in his poem. The poem of Woljeongsa was an exception rather than a typical one for him. He wandered through the times like a ‘traveler’, and expressed the sensibility arising from responding to historical events in various forms of poetry. Here is the point where I hope that his later poems, which have been neglected so far, will be reconsidered through this study. this study will suggest a perspective that can grasp his later poetry not as a ‘hobby’ written by scholars and intellectuals, but as a consistently appearing hot ‘variation of emotion’.
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      This study is an attempt to reconsider the exceptionality and universality of Cho Ji-hoon’s poems after confirming the classic thought system contained in the poems oof Woljeongsa in 1941, which Cho Ji-hoon himself called ‘The Natural Poetry of De...

      This study is an attempt to reconsider the exceptionality and universality of Cho Ji-hoon’s poems after confirming the classic thought system contained in the poems oof Woljeongsa in 1941, which Cho Ji-hoon himself called ‘The Natural Poetry of Description.’ The subject matter of the poems created during his stay at Woljeongsa is mostly natural objects reflecting the circular world of the East. The speaker controlled the exposure of inner emotions and showed contemplation of the nature of the circular world. Previously, he showed feelings of grief by paying attention to the subject matter of traditional culture during the Japanese colonial rule, where political speech was prohibited. Afterwards, he expressed his poetry, historical consciousness and critical sensibility related to common events in modern Korean history such as the Korean War in 1950, the corruption politics of the Liberal Party, and April 19 in 1960.
      Cho Ji-hoon recalled the poems of Woljeongsa as his poetic hometown. It seems appropriate to understand the meaning of hometown as an archetype that cannot be returned after leaving once, rather than an archetype that can be found anywhere in his poem. The poem of Woljeongsa was an exception rather than a typical one for him. He wandered through the times like a ‘traveler’, and expressed the sensibility arising from responding to historical events in various forms of poetry. Here is the point where I hope that his later poems, which have been neglected so far, will be reconsidered through this study. this study will suggest a perspective that can grasp his later poetry not as a ‘hobby’ written by scholars and intellectuals, but as a consistently appearing hot ‘variation of emotion’.

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      참고문헌 (Reference)

      1 김종훈, "한국 근대 서정시의 기원과 형성" 서정시학 2010

      2 최동호, "하나의 도에 이르는 시학" 고려대학교 출판부 1997

      3 조지훈, "풀잎단장(斷章)" 창조사 1952

      4 박목월, "청록집(靑鹿集)" 을유문화사 1946

      5 하상일, "조지훈의 비평의식과 서정시론 연구" 한국문학이론과비평학회 11 (11): 85-103, 2007

      6 김문주, "조지훈의 ‘서경시’에 함축된 시적 전통의 성격" 한국문학이론과비평학회 11 (11): 9-29, 2007

      7 이형대, "조지훈연구2" 고려대학교 출판문화원 2020

      8 조지훈, "조지훈시선(趙芝薰詩選)" 정음사 1956

      9 조지훈, "조지훈 전집 1-9" 나남출판사 1996

      10 김종훈, "조지훈 육필시고 『지훈시초(芝薰詩鈔)』 연구" 민족어문학회 (90) : 39-66, 2020

      1 김종훈, "한국 근대 서정시의 기원과 형성" 서정시학 2010

      2 최동호, "하나의 도에 이르는 시학" 고려대학교 출판부 1997

      3 조지훈, "풀잎단장(斷章)" 창조사 1952

      4 박목월, "청록집(靑鹿集)" 을유문화사 1946

      5 하상일, "조지훈의 비평의식과 서정시론 연구" 한국문학이론과비평학회 11 (11): 85-103, 2007

      6 김문주, "조지훈의 ‘서경시’에 함축된 시적 전통의 성격" 한국문학이론과비평학회 11 (11): 9-29, 2007

      7 이형대, "조지훈연구2" 고려대학교 출판문화원 2020

      8 조지훈, "조지훈시선(趙芝薰詩選)" 정음사 1956

      9 조지훈, "조지훈 전집 1-9" 나남출판사 1996

      10 김종훈, "조지훈 육필시고 『지훈시초(芝薰詩鈔)』 연구" 민족어문학회 (90) : 39-66, 2020

      11 송기한, "조지훈 시의 유랑 의식 연구" 한중인문학회 (23) : 19-39, 2008

      12 이숭원, "조지훈" 새미 2003

      13 조지훈, "역사(歷史)앞에서" 신구문화사 1959

      14 조지훈, "여운(餘韻)" 일조각 1964

      15 김종길, "시에 대하여" 민음사 1986

      16 "문장(文章), 1940.2"

      17 "문장(文章), 1939.9"

      18 "문장(文章), 1939.4"

      19 유성호, "근대의 심층과 한국 시의 미학" 태학사 2020

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2015-03-17 학술지명변경 외국어명 : 미등록 -> Korean Cultural Studies KCI등재
      2013-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-06-18 학회명변경 영문명 : Institute of Korean Culture -> Research Institute of Korean Studies KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-10-18 학술지명변경 한글명 : 민족문화연구 29호 -> 민족문화연구 KCI등재
      2005-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2004-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.77 0.77 0.7
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.71 0.7 1.385 0.15
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