This paper examines the “Golden Axe” story, a variation of “The Honest Woodcutter” from Aesop’s Fables, as it appears in Korea, China, Japan, and other parts of East Asia through translations. It also analyzes the characteristics of the Japa...

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https://www.riss.kr/link?id=A109559270
2025
Korean
KCI등재
학술저널
115-138(24쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper examines the “Golden Axe” story, a variation of “The Honest Woodcutter” from Aesop’s Fables, as it appears in Korea, China, Japan, and other parts of East Asia through translations. It also analyzes the characteristics of the Japa...
This paper examines the “Golden Axe” story, a variation of “The Honest Woodcutter” from Aesop’s Fables, as it appears in Korea, China, Japan, and other parts of East Asia through translations. It also analyzes the characteristics of the Japanese oral narrative version of “Golden Axe” through a comparative review. The key variations in Japan’s “Golden Axe” story can be summarized as follows: Transcendent Beings In China and Korea, the supernatural figures in the story are typically “The Fairy,” “The Old Man,” or “The Mountain Spirit.” However, in Japan, water gods, particularly female deities, are common. This likely reflects Japan’s historical belief that water gods are often depicted as female, a tradition deeply rooted in ancient spiritual practices.
Dropped Tools In Chinese and Korean versions, axes are the most commonly lost tools. However, Japanese adaptations feature a wider variety of objects. This variation is thought to reflect the tools commonly used in different provinces or those familiar to storytellers, adding a regional and personal touch to the narrative.
Settings of Tool Loss In Japanese versions, tools are often lost in ponds, reinforcing the cultural connection between water and rice paddy gods. Reservoirs and irrigation systems, extensively developed during the Edo period for rice farming, further highlight this link, with the loss of an axe in a rice paddy serving as a striking example.
현대 미디어 속 쓰타야 주자부로 조명 -문화콘텐츠 활용의 시점에서-
도쿄재판을 통해 본 일본 A급 전범 용의자 기업인의 전쟁범죄와 역사 인식 - 고코 기요시(郷古潔)를 중심으로 -
한국어, 일본어 음운현상에 나타나는 불투명성에 대한 제약기반이론의 분석