고전소설의 `천편일률`을 패러디의 관점에서 읽는 법 -전기소설 『금오신화』와 『오유란전』을 중심으로 = How to Read `Stereotyped` Classical Novels from the Perspective of Parody - In the Biographical Novels of Geumoshinhwa and Oyuran-Jeon

다국어 초록 (Multilingual Abstract)

Whenever reading classical novels people feel that those novels are all the same on some ways. That is what we call `stereotype` as we mention one of the characteristics of classical novels. It is necessary that the `stereotype` of the classical novels should be read from the viewpoint of parody, which is frequently used in the modern literature. When we examine the `stereotype` in the classical literature closely, we can realize the unique beauty produced by `relief of repetition` and `newness of variation` from them. As they did in the Chinese poetry in the premodern East Asian culture, it is imperative that we should respect the practice of imitating and utilizing the exemplar appropriately when writing. Before we call them dishonorable names as imitation or copy, the critical distance between original works and the works that followed the originals should be dealt with in strict fairness. Geumoshinhwa which is evaluated as imitation or re-creation of Jeondeungshinhwa is studied in this article. As a result Chuiyububyukjeonggi in Geumoshinhwa was newly identified as having new aspect from Deungmokchiyuchigyungwongi, Gamhoyabeomgi of Jeondeungshinhwa. It is converted to a completely different work evoking new lyrical beauty by combining and copying the amazing two motives from the original works. In that respect it is called critical distance from the original. In some way the development of the history of the classical novels could be called as the process of delicate or radical parody. Tales written in the nineteenth century such as Oyuran-Jeon and Jongok-Jeon, and biographical novels such as Jeolhwagidam and Poeuigyojib all experimented unprecedented parody and unfolded a new era in the history of the classical novels.

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