『海東風雅』의 성격과 無名氏 작품배열 원리 = The characteristics of Haedongpunga(海東風雅) and it's rule for arranging anonymous works

다국어 초록 (Multilingual Abstract)

Haedongpunga(海東風雅)is a song dook commonly known as Ilseok version(一石本 )of Haedonggayo(海東歌謠).So far about this song book, all discussions, from it's name to it's characteristic,have been proceeded in this line.However, Haedongpunga(海東風雅)is different from Haedonggayo(海東風雅)and should be distinguished from it.We should take note on the fact that it does not have any content related with Kim, Cheon-taek(金天澤) or Kim, Su-jang(金壽長).
We can infer from such deletion that authors of this book was trying to proclam that this song book was a new compilation of their own.
When we regard Haedongga(海東風雅) as an original one, we cam observe it'srule for arranging anonymous songs.In it, they are arranged following the rule of association.This kind of tendency is distinct from song books in the beginning and middle of the 18th century,in which song are arranged by content based rules,or ones in the 19th centry,in which all the songs are arranged by assocation.From this, we can diagnose that Haedongpunga(海東風雅) is a song book which has a periodically intermediate charactheristics between 18th and 19th century.
On the other hand,18th century song books and 19th century song booksare considered to show clear difference in compilication style.In the former, we can find out literary concern, and in the latter, we can see absolute predominance of music.I argue that such difference between them is caused from the change in the social system of recognition on sijos.