21세기의 새로운 코드, 하이브리드 조형디자인 - 하이브리드 작품을 중심으로 - = Hybrid Formative Art Design Which is the New Code of the 21^st Century - Focusing on Hybrid Artistic Works -

다국어 초록 (Multilingual Abstract)

Hybrid is commonly used recently as a word which implies what will emerge in the future while accepting all characteristics of the 20^th century and 21^st century thought it was created at the backdrop of the American society in 1950s. Usually, `hybrid car`is the system which uses the existing gasoline engine and electric motor, and means a next generation environment friendly car which achieves high fuel efficiency and low air pollution. Like this, hybrid is a word that is mainlyused to refer to a future oriented new object which is being implemented in present times. In response to that, this researcher combined the concept of hybrid with the patterns of mixed usage which started from the Western industrialized society in the 20^th century. Like this, the patterns of mixed usage found in the combine painting, junk art, kinetic art, and so forth, which appeared from 1950s to 1960s onwards, had a direct influence on the hybrid formative art design that emerged right before and after 2000. This researcher assumed that `Head of Ox` which is the work of P. Picaso and `wheel of bicycle` which is the work of M. Duchamp were the beginning point of all those connections. In this way, most of digital expressions, which are applied to the hybrid formative art design derived from the convergence of mixed usage in the Western industrialized society and the new digital technological system, does not incur any separate cost if it possesses only the technology. The expression is unlimited if there is a device that can show it. The hybrid formative art design, which was used in the `Urban Landscape` and `BCI` that this researcher created, provides an environment which coexists with the existinganalogue by converting the image into symbols or digitalizing into a video. Works created by that kind of design is the 21^st century design that requires new material, such as interaction and digital image and so on, and has the advantage of being easily integrated with any concept of far more advanced future.

참고문헌 (Reference)

1 "색채 이론과 활용』" 형설출판사 pp6062-, 2000

2 "매체의 전이과정에 따른 디지털아트 유형분석" 한국디자인포럼학회 사무국 1-10, 2005

3 "가상과 현실이 뒤섞인 공간." 연세대학교 출판부 p131-, 2004