뉴미디어 아트의 물질적·비물질적 맥락에 대한 연구 = Study of the Material and Immaterial Context of New Media Art

다국어 초록 (Multilingual Abstract)

As the generation of `technoscience` has emerged, collapsing the boundary of science and technology, new media art has departed from the modern art form to an expanded art form that is based on scientific technology. This medium of new media art is not simply just a `medium` but rather a `reasoning medium` that regulates the form and contents of reasoning which divides art into `digital` based immaterial art and machinery or organism based material art. The former is `immateriality as virtuality art` which appears as the digitalization of various subjects that lost its original traces, the virtual reality of `abstract symbolic space` made up of bits and bytes or augmented reality by tilt brush, media-facade, projection mapping etc. The latter is `materiality as authenticity art` which appears as the expanded body of the combination of machinery and organism shown by Neil Harbisson and Moon Reverse a cyborg aspect escaping subjectivation shown in Stelarc`s cyborg performance, the form of biotechnology related to bio ethics shown in the DNA identification by Helen Chadwick and Heather Dewey Hagborg or genetic mutation by Eduardo Kac. In the situation where art reverts to technoscience, the style of art is diversely expanding based on the material and immaterial context of new media art.