시적 체험의 다양성과 <노처녀가(1)> —규방가사 권역에서 향유된 <노처녀가(1)>을 중심으로— = Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)

다국어 초록 (Multilingual Abstract)

Many recent researches and studies about the "Nochunyeo-ga: the Song of the Spinster" have been in progressed, but there are still many controversial issues. The writer of this paper stresses a few points on the basis of the inner logical grounds. For instance, firstly we cannot assume the speaker as a man in the piece, secondly people have standardized the subject of this piece for a while, so it is true that many repetitive and contentious discussions have been happened. Thirdly the writer focuses on the people who enjoyed this kind of song and also who can be checked in real.
For these things, on the chapter 2 , the writer insists that the speakers' experiences can be differentiated by the gap between personal experiences and situations, and tries to prove this opinion demonstrating "Sasulsijo: Dalbaja jjangjjang" which is assumed to be very related to "the Song of the Spinster" Moreover, the writer considers thoughtfully that the interpretation of this piece might be changed depending on the people who enjoyed the song. Because those people have not be found for certain yet.
On the chapter 3, the writer concentrates on the demonstration which can prove there might be certain common facts between "Gyubang gasa: the literature or song about the women's life, especially a kind of Tansik-ga : the song of the lament" and "Nochunyeo-ga" As a result, the writer noticed that there are some common rules between "Tansik-ga" and "Nochunyeo-ga"; The "I" who am suppressed by others criticise others very severely and those minds are turned up the language of Lament.
On the basis of these facts, writer claims that the "Nochunyeo-ga", which was mostly enjoyed by the women in Chosun dynasty, doesn't show that the song was the target of criticism by a male writer, but it shows us the song was the approval of self-examination and self-pity.

다국어 초록 (Multilingual Abstract)

Many recent researches and studies about the "Nochunyeo-ga: the Song of the Spinster" have been in progressed, but there are still many controversial issues. The writer of this paper stresses a few points on the basis of the inner logical grounds. For instance, firstly we cannot assume the speaker as a man in the piece, secondly people have standardized the subject of this piece for a while, so it is true that many repetitive and contentious discussions have been happened. Thirdly the writer focuses on the people who enjoyed this kind of song and also who can be checked in real.
For these things, on the chapter 2 , the writer insists that the speakers' experiences can be differentiated by the gap between personal experiences and situations, and tries to prove this opinion demonstrating "Sasulsijo: Dalbaja jjangjjang" which is assumed to be very related to "the Song of the Spinster" Moreover, the writer considers thoughtfully that the interpretation of this piece might be changed depending on the people who enjoyed the song. Because those people have not be found for certain yet.
On the chapter 3, the writer concentrates on the demonstration which can prove there might be certain common facts between "Gyubang gasa: the literature or song about the women's life, especially a kind of Tansik-ga : the song of the lament" and "Nochunyeo-ga" As a result, the writer noticed that there are some common rules between "Tansik-ga" and "Nochunyeo-ga"; The "I" who am suppressed by others criticise others very severely and those minds are turned up the language of Lament.
On the basis of these facts, writer claims that the "Nochunyeo-ga", which was mostly enjoyed by the women in Chosun dynasty, doesn't show that the song was the target of criticism by a male writer, but it shows us the song was the approval of self-examination and self-pity.

참고문헌 (Reference)

1 황순구, "청구영언 연구" 금방울사 1979

2 신경숙, "조선후기 여창가곡의 연구" 고려대학교 1994

3 이혜순, "여성화자 시의 한시 전통" 한국한문학회 19 : 1996

4 서영숙, "서사적 여성가사의 연구" 어문연구학회 22 : 1991

5 백순철, "규방가사의 작품세계와 사회적 성격" 고려대학교 2000

6 신경숙, "규방가사, 그 탄식 시편을 읽는 방법, 한국문학사의 전개과정과 문학담당층" 국학자료원 2002

7 고정희, "고전시가 여성화자 연구의 쟁점과 전망" 한국여성문학회 15 : 2006

8 최원식, "가사의 소설화 경향과 봉건주의의 해체" 창작과비평사 46 : 1977

9 홍한주, "智水拈筆"

10 정재호, "「<相思別曲> 攷" 국어국문학회 55ㆍ56ㆍ57 : 1972

11 성무경, "‘노처녀’담론의 형성과 문학양식들의 반향" 한국시가학회 15 : 2004

12 최진형, "‘가사의 소설화’ 재론" 성균관대학교 국어국문학과 32 : 1997

13 김은희, "<상사별곡> 연구" 반교어문학회 2002

14 최규수, "<삼설기본 노처녀가>의 갈등 형상화 방식과 그 의미" 한국시가학회 5 : 1999

15 고순희, "<노처녀가Ⅰ> 연구" 한국시가학회 14 : 2003

16 박일용, "<노처녀가(1)>의 담론 형태와 그 시학적 의미" 월인 2005

17 강경호, "19세기 가사의 향유 관습과 이본 생성 －<노처녀가(2)>와 그 관련 작품을 통해 본 가사 향유의 한 양상" 반교어문학회 (18) : 43-81, 2005