Music performance issues : 1600-1900|RISS 상세보기

목차 (Table of Contents)

CONTENTS
Abbreviations = vi
Preface = xi
Chapter 1 Dilettante and Amateur. Our Evolving Language = 1
Chapter 2 Bach's Lament about Leipzig's Professional Instrumentalists = 25
Chapter 3 Choral Singing Before the Era of Recordings = 43
Chapter 4 Why Most a cappella Music Could Not Have Been Sung Unaccompanied = 53
Chapter 5 Fasch and the Beginning of Modern Artistic Choral Singing = 63
Chapter 6 What Handel's Casting Reveals About Singers of the Time = 82
Chapter 7 Intonation Standards and Equal Temperament = 105
Chapter 8 Eighteenth-Century Stringed Keyboard Instruments from a Performance Perspective = 121
Chapter 9 The Tromba and Corno in Bach's Time = 141
Chapter 10 Maelzel's Role in Beethoven's Symphonic Metronome Marks = 165
Chapter 11 The French Time Devices Revisited = 193
Chapter 12 The Notable Significance of C and C in Bach's Era = 215
Chapter 13 Numbers and Tempo : 1630-1800 = 229
Chapter 14 Overdotting in Handel's Overtures Reconsidered = 243
Chapter 15 Notes inegales. A Definitive New Parameter = 265
Chapter 16 Distinguishing Between Artificial and Natural Vibrato in Premodern Music = 287
Chapter 17 A Solution for Simple (secco) Theater Recitative = 299
Chapter 18 How Composers Viewed Performers' Additions = 311
Chapter 19 The Varied Reprise in Eighteenth-Century Intrumental Music-A Reappraisal = 333

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