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    근대 서간체 소설 연구 = A Study on Early Modern Epistolary Novel: Aphra Behn’s Love-Letters

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    https://www.riss.kr/link?id=A99628600

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This essay examines the pioneering epistolary novel techniques in Aphra Behn’s Love-Letters Between a Nobleman and His Sister. This work has been completely excluded from the mainstream discourse on the early English novel. It has been regarded an imitation or a mere translation of French immoral romance, Portuguese Letters. Yet, as my thesis will show, Love-Letters is an original writing in that it records a unique development of epistolary narrative technique and becomes a precursive realistic novel. Unlike Portuguese Letters, Ben's novel narrates a story through interchanges between characters. It allows characters to tell his or her own story, making the narration more lively and authentic. This technique anticipates the double correspondence method in Richardson's Clarissa. Part Ⅰ of Love-Letters is the first original English novel written entirely in epistolary form.
    In the second part of Love-Letters, Behn shifts her narrative form from a purely epistolary form to a combination of third person narrative and letters. The third person narrator always appears after every one or two letter(s), and tells readers as in an aside in drama the letter recipient's reaction and emotion which cannot be fully told in letters. It is essential in epistolary novel that main events are presented in letters, and Part Ⅱ follows the rule. The narration supplements the letters, not playing the main role. This kind of combined narratives was unique in the history of English novel.
    Love-Letters gives vivid expression to varying emotions and moods. It has many episodes described in the lively and spontaneous manner. The dramatic quality, the interplay of wits, the suggestion of background and the urgency of the events narrated certainly anticipate the Richardsonian novel. Behn's experiment with the novel in letters must have influenced the later development of the English novel.
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    This essay examines the pioneering epistolary novel techniques in Aphra Behn’s Love-Letters Between a Nobleman and His Sister. This work has been completely excluded from the mainstream discourse on the early English novel. It has been regarded an i...

    This essay examines the pioneering epistolary novel techniques in Aphra Behn’s Love-Letters Between a Nobleman and His Sister. This work has been completely excluded from the mainstream discourse on the early English novel. It has been regarded an imitation or a mere translation of French immoral romance, Portuguese Letters. Yet, as my thesis will show, Love-Letters is an original writing in that it records a unique development of epistolary narrative technique and becomes a precursive realistic novel. Unlike Portuguese Letters, Ben's novel narrates a story through interchanges between characters. It allows characters to tell his or her own story, making the narration more lively and authentic. This technique anticipates the double correspondence method in Richardson's Clarissa. Part Ⅰ of Love-Letters is the first original English novel written entirely in epistolary form.
    In the second part of Love-Letters, Behn shifts her narrative form from a purely epistolary form to a combination of third person narrative and letters. The third person narrator always appears after every one or two letter(s), and tells readers as in an aside in drama the letter recipient's reaction and emotion which cannot be fully told in letters. It is essential in epistolary novel that main events are presented in letters, and Part Ⅱ follows the rule. The narration supplements the letters, not playing the main role. This kind of combined narratives was unique in the history of English novel.
    Love-Letters gives vivid expression to varying emotions and moods. It has many episodes described in the lively and spontaneous manner. The dramatic quality, the interplay of wits, the suggestion of background and the urgency of the events narrated certainly anticipate the Richardsonian novel. Behn's experiment with the novel in letters must have influenced the later development of the English novel.

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    목차 (Table of Contents)

    • Ⅰ. 서론
    • Ⅱ. 다자간의 편지형식
    • Ⅲ. 서간체와 3인칭 서술의 혼합
    • Ⅳ. 결론
    • 인용문헌
    • Ⅰ. 서론
    • Ⅱ. 다자간의 편지형식
    • Ⅲ. 서간체와 3인칭 서술의 혼합
    • Ⅳ. 결론
    • 인용문헌
    • Abstract
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    참고문헌 (Reference)

    1 Perry, Ruth, "Women, Letters, and the Novel" AMS 1980

    2 Day, Robert Adams, "Told in Letters : Epistolary Fiction Before Richardson" U of Michigan P 1966

    3 Doody, Margaret Ann, "The True Story of the Novel" Rutgers UP 1996

    4 Todd, Janet, "The Sign of Angellica : Women, Writing, and Fiction1660-1800" Columbia UP 1989

    5 Spencer, Jane, "The Rise of the Woman Novelist : From Aphra Behn to Jane Austen" Blackwell 1986

    6 Watt, Ian, "The Rise of the Novel" U of California P 2001

    7 Reeve, Clara, "The Progress of Romance" W. Keymer 1785

    8 Derrida, Jacques, "The Post Card; From Socrates to Freud and Beyond" U of Chicago P 1987

    9 Duffy, Maureen, "The Passionate Shepherdess : Aphra Behn, 1640-89" Methuen 1989

    10 Gardiner, Judith, "The First English Novel: Aphra Behn's Love-Letters, The Canon, and Women's Tastes" 8 (8): 202-222, 1989

    1 Perry, Ruth, "Women, Letters, and the Novel" AMS 1980

    2 Day, Robert Adams, "Told in Letters : Epistolary Fiction Before Richardson" U of Michigan P 1966

    3 Doody, Margaret Ann, "The True Story of the Novel" Rutgers UP 1996

    4 Todd, Janet, "The Sign of Angellica : Women, Writing, and Fiction1660-1800" Columbia UP 1989

    5 Spencer, Jane, "The Rise of the Woman Novelist : From Aphra Behn to Jane Austen" Blackwell 1986

    6 Watt, Ian, "The Rise of the Novel" U of California P 2001

    7 Reeve, Clara, "The Progress of Romance" W. Keymer 1785

    8 Derrida, Jacques, "The Post Card; From Socrates to Freud and Beyond" U of Chicago P 1987

    9 Duffy, Maureen, "The Passionate Shepherdess : Aphra Behn, 1640-89" Methuen 1989

    10 Gardiner, Judith, "The First English Novel: Aphra Behn's Love-Letters, The Canon, and Women's Tastes" 8 (8): 202-222, 1989

    11 MacCarthy, Bridget, "The Female Pen: Women Writers and Novelists,1621-1818" Cork UP 1621

    12 Tierney-Hynes, Rebecca, "Shaftesbury's Soliloquy: Authorship and the Psychology of Romance" 38 (38): 605-621, 2005

    13 Ballaster, Ros, "Seductive Forms : Women's Amatory Fiction Form1684-1740" Clarendon 1998

    14 Eaves, T C D, "Samuel Richardson : A Biography" Clarendon 1971

    15 Backscheider, Paula R, "Popular Fiction by Woman,1660-1730: An Anthology" Clarendon 1996

    16 Richardson, Samuel, "Pamela, or Virtue Rewarded" Oxford UP 2001

    17 Behn, Aphra, "Oroonoko and Other Writings" Oxford UP 1994

    18 Behn, Aphra, "Love-Letters between a Nobleman and his Sister" Penguin 1996

    19 Turner, Sheryl, "Living by the Pen : Women Writers in the Eighteenth Century" Routledge 1994

    20 Warner, William, "Licensing Entertainment : The Elevation of Novel Reading, 1684-1750" U of California P 1998

    21 Pearson Jacqueline, "Gender and Narrative in Behn's Fiction" Macmillan 111-142, 1999

    22 "Facsimile edition" Facsimile Text Society 1930

    23 Richardson, Samuel, "Clarissa, or The History of a Young Lady" Penguin 2004

    24 Woolf, Virginia, "A Room of One's Own" Harcourt 1989

    25 Grundy, Isobel, "'A novel in a serious of letters by a lady’: Richardson and some Richardsonian novels, In Samuel Richardson: Tercentenary Essays" Cambridge UP 188-202, 1989

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