한국음악과 실크로드음악에서 동주음관계계명 생성연구

다국어 초록 (Multilingual Abstract)

Korean medieval music employs syllable names of cognate relationship as Indian music, different from Chinese and European music which employs syllable names of parallel relationship. This paper deals with the reason why. The reason is related with the fact that Korean instruments such as geomungo and bipa and Indian instruments such as bina and sitar have frets, open and resonant strings playing key note in drone while Chinese and European instruments don't have. Because of this, in the music of Korean medieval times and that of Silk Roads, modes are arranged in cognate relationship as follows. Arrangement of Korean Medieval Mode Pyeongjo in Hwangjong Gyemyeonjo in Hwangjong Arrangement of Indian Raga c : Kalyan c : Bilaval c : Khamaj c : Bhairay Arrangement of Iranian Dastgah c : Kalyan c : Bilaval c : Khamaj c : Bhairav In contrast to this, in music of Chinese and European music, modes are arranged in parallel relationship as follows. Arrangement of Chinese mode Hwangjong : Gungjo Taeju : Sangjo Goseon : Gakjo Imjong : Chjo Namryeo : Ujo Arrangement of European Mode c : Ionia d : Doria e : Phrygia f : Lydia g : Mixo-lydia Therefore, Korean medieval music and Indian music employ syllable names of cognate relationship. Syllable Names of Cognate Relationship in Korean Medieval Music Pyeongjo in Hwangjong - Hwang, Tae, Jung, Im, Nam Gung, Sang, Gak, Chi, U Gyemyeonjo in Hwangjong - Hwang, Hyeop, Jung, Im, Mu Gung, Sang, Gak, Chi, U Syllable Names of Cognate Relationship in Indian Music Bilaval...Sa, Ri, Ga, Ma, Pa, Dha, Ni C, D, E, F, G, A, B Khamaj...Sa, Ri, Ga, Ma, Pa, Dha, Ni C, D, E, F, G, A, B flat Kafi...Sa, Ri, Ga, Ma, Pa, Dha, Ni C, D, E flat, F, G, A, B flat Asavari...Sa, Ri, Ga, Ma, Pa, Dha, Ni C, D, E flat, F, G, A flat, B flat And, ancient Chinese and European music employs syllable names of parallel relationship. Syllable Names of Parallel Relationship in Ancient Chinese Music of Han People Hwangjong : Gung Mode - Hwang, Tae, Go, Im, Nam Gung, Sang, Gak, Chi, U Taeju : Sang Mode - Tae, Go, Im, Nam, Hwang Sang, Gak, Chi, U, Gung Goseon : Gak Mode - Go, Im, Nam, Hwang, Tae Gak, Chi, U, Gung, Sang Imjong : Chi Mode - Im, Nam, Hwang, Tae, Go Chi, U, Gung, Sang, Gak Namryeo : U Mode - Nam, Hwang, Tae Go, Im U, Gung, Sang, Gak, Chi First Example of Mode Arrangement of Western European Music c : Ionia... c d e f g a b do re mi fa sol la si d : Doriac...d e f g a b c re mi fa sol la si do e : Phrygia...d e f g a b c d re mi fa sol la si do re f : Lydia...f g a b c d e fa sol la si do re mi g : Mixo-lydiac...g a b c d e f sol la si do re mi fa In conclusion, from the fact that Korean medieval music employs syllable names of cognate relationship as music of Silk Roads, Korean music is regarded to be related with the music culture of Silk Roads.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 유괘악기(有棟樂器)의 조현 유형
• Ⅲ. 선법관계 배열 유형
• Ⅳ. 관계계명유형의 생성
• Ⅴ. 시용궁상각치우의 생성 관정
• Ⅵ. 맺는말
• Abstract