「造形映像」의 形式的 意味와 史的 位置에 關한 考察 = Study of the formal meaning and historical position of 「motion picture」

다국어 초록 (Multilingual Abstract)

The opinion totaled the past history of all reflctions by arriving at technical result. explained the history of a reflection centering around technical invention of a photo and a movie, is most unproductive and tough.
Also the thing which is recognized the problem of 「reflection」 centering around the refletion of a real picture or the play scripted a scenario, that is, the movie of a drama or a spectacle, is a gross mistake.
At here, before recognition of 「Movie」or 「Reflection」 the problem of 「Image」 itself is essentially dealt by, under the original concept of such 「Image」,
We should think what position 「Motion picture」 occupies.

목차 (Table of Contents)

• 序 論-「映像」의 上位槪念과 下位槪念
• 本 論
• 1. 單一畵像과 連續畵像
• 2. 實寫思想과 造形像
• 結 論-造形連續像의 歷史認識과 關連한 意味分析
• 註
• 參考文獻