Hands on film : actants, aesthetics, affects

목차 (Table of Contents)

• CONTENTS
• List of Images = 9
• Acknowledgements = 11
• Introduction = 13
• 1. Themes - The Framed Hand and Being = 21
• Natural and Supernatural Phenomena : Matter Becoming Consciousness = 21
• The Nature and Origin of Creativity = 36
• Determinism and Free Will : Possession, Self-possession, Dispossession = 50
• Modernism : Industrialisation and Technology = 63
• Gendered Hands = 76
• 2. Symbolism - The Semiotic Hand = 91
• The Meaningful Hand and Metonymy = 91
• The Manual as Metaphorical = 111
• Between Metaphor and Metonym : The Hand and Memory = 127
• 3. Aesthetics - The Stylised Hand : Beauty, Ugliness, Genre = 135
• Behind the Scenes : Unseen Creative Hands = 135
• The Stylised Hand on Screen = 138
• The Camp Hand and the Hand in Camp = 163
• The Haptic Experience : Screened Sensations = 172
• 4. Narration - Hands Doing and Being = 189
• Hands as Narrative Actants = 189
• Slow Hands and Slow Cinema = 196
• Acting Hands and Set Pieces = 202
• 5. Characterisation - Hands and Identity = 211
• Cultural Contexts for Creative and Destructive Personalities = 211
• The Psychopathic Hand = 223
• Vocational Hands = 228
• Characters and Labour = 232
• Manual Details : Emotions and Eccentricities = 235
• Concealing and Revealing Characters = 242
• Concluding Case Study - Steven Spielberg’s Jaws (1975) = 249
• Filmography = 253
• Index = 261