김수영의 시의식 변모 과정 연구 : ‘시적 연극성’과 ‘자코메티적 전환’을 중심으로 = A Study on the Turning Points of Kim Soo-young's Poetics - Focusing on the ‘dramatic features in poetry’ and ‘Alberto Giacomettian transformation’

다국어 초록 (Multilingual Abstract)

Kim Soo-young's poetics has two important turning points. First one can be viewed as abandoning dramatic features in poetry. In his prose, ‘Trying to find a new way’(1961), Kim Soo-young confessed that he had been enchanted by dramatic features in poetry like Jules Supervielle's until then. Then, he made it sure that he would no more write such a dramatic poem. He declared that he would renounce dramatic concreteness and satire. However, despite the attitude appeared in ‘Trying to find a new way’. he continued to mix the way of concreteness and abstraction in his poetry. In 1966, there was a great turn in his poetics. Under the influence of Giacometti's works, he realized that the reality is not obsolete but it is original itself. So, he eventually found that the reality could be recognized through one's own creative sensitivity. In the poem 「‘Noon’(Snow)」, he expressed that kind of vision of reality. After that, he could write a poem little restricted by methodology of concreteness or abstraction. After ‘Giacomettian turn, he could express his vision of realty with more creativity and confidence.

목차 (Table of Contents)

• Ⅰ. 들어가며
• Ⅱ. 긴장의 시학과 시적 연극성
• Ⅲ. 풍자와 구상성의 문제
• Ⅳ. 자코메티적 변모와 레알리떼의 문제
• Ⅴ. 나오며
• 참고문헌
• Abstract

참고문헌 (Reference)

1 제임스 로드, "작업실의 자코메티" 을유문화사 2008

2 칼톤 레이크, "자꼬메띠의 지혜" 1966

3 이상섭, "영미비평사 3 뉴크리티시즘: 복합성의 시학" 민음사 1999

4 앨런 테잇, "시에 있어서의 텐슌. 현대문학의 영역" 중앙문화사 1962

5 강웅식, "시, 위대한 거절" 청동거울 1998

6 정명교, "김수영과 프랑스 문학의 관련양상" 한국시학회 (22) : 343-372, 2008

7 최하림, "김수영 평전" 실천문학사 2001

8 김수영, "김수영 전집 2 산문. 개정판 1쇄" 민음사 2003

9 강웅식, "김수영 신화의 이면-주체의 자기형성과 윤리의 미학화" 웅동 2004

10 강호정, "김수영 시에 나타난 연극성" 23 : 2004

11 Allen Tate, "The Man of Letters in the Modern World" Meridian Books 1955

12 할 포스터, "1900년대 이후의 미술사" 세미콜론 2007