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      북한 문학과 민족문제의 인식  :  1960년대 전반기 민족적 특성 논쟁을 중심으로 = North Korean Literature and National Question

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      https://www.riss.kr/link?id=A2102429

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      <Abstract> The period between 1959 and 1967 is very important in view of national
      question. The literature of this period begins to liberate from the perspective of
      proletarian internationalism which dominated since 1948. Because proletarian
      internationalism regards any national consciousness as bourgeois nationalism, the writer
      is afraid of expressing national interest or specificity. After 1959, he freely speaks about
      national consciousness and specificity. The debate of national specificity in the literature
      and art occurred through this period accelerates this trend and liberates the thought of
      writer. An Ham-Kwang, the famous critic of north korea, emphasizes the importance of
      national consciousness and specificity in the literature. He eliminates both the bourgeois
      nationalism and proletarian internationalism. Because he describes national character in
      the context of history, he does not confuse national consciousness and nationalism. Han
      Sol-Ya, the famous novelist support this view by the creation of novel Hyungje(the
      brother). The thought based on the national consciousness and specificity is different
      from the nationalism or ethnocentrism which is dominant since 1967. After the Juche is
      introduced, efforts of that writer who emphasize the importance of national specificity in
      the literature are thoroughly excluded.
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      <Abstract> The period between 1959 and 1967 is very important in view of national question. The literature of this period begins to liberate from the perspective of proletarian internationalism which dominated since 1948. Because proletarian ...

      <Abstract> The period between 1959 and 1967 is very important in view of national
      question. The literature of this period begins to liberate from the perspective of
      proletarian internationalism which dominated since 1948. Because proletarian
      internationalism regards any national consciousness as bourgeois nationalism, the writer
      is afraid of expressing national interest or specificity. After 1959, he freely speaks about
      national consciousness and specificity. The debate of national specificity in the literature
      and art occurred through this period accelerates this trend and liberates the thought of
      writer. An Ham-Kwang, the famous critic of north korea, emphasizes the importance of
      national consciousness and specificity in the literature. He eliminates both the bourgeois
      nationalism and proletarian internationalism. Because he describes national character in
      the context of history, he does not confuse national consciousness and nationalism. Han
      Sol-Ya, the famous novelist support this view by the creation of novel Hyungje(the
      brother). The thought based on the national consciousness and specificity is different
      from the nationalism or ethnocentrism which is dominant since 1967. After the Juche is
      introduced, efforts of that writer who emphasize the importance of national specificity in
      the literature are thoroughly excluded.

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