British writers and Paris : 1830-1875

목차 (Table of Contents)

• CONTENTS
• List of illustrations = xii
• Map = xiv
• Introduction = 1
• PART Ⅰ. FINDING ONE'S BEARINGS IN MID-NINETEENTH-CENTURY PARIS
• 1. Regime change on the streets of Paris = 11
• 1.1 Bourbon monarchy, 1814-1830 = 11
• 1.2 The July Monarchy of Louis-Philippe, 1830-1848 = 12
• 1.3 The Second Republic, 1848-1851 = 15
• 1.4 The Second Empire, 1852-1870 = 16
• 1.5 The Franco-Prussian war and the siege of Paris, 1870-1871 = 17
• 1.6 The Commune = 18
• 1.7 The aftermath of the Commune and the birth of the Third Republic = 19
• 2. British eyewitness accounts of regime change = 21
• 2.1 1830 = 22
• 2.2 1848 = 24
• 2.3 December 1851 = 26
• 2.4 1870 = 27
• 2.5 The Commune = 29
• 2.6 After the Commune = 31
• 3. Regime change as viewed from English shores = 33
• 3.1 1830 = 33
• 3.2 The July Monarchy, and the return of Napoleon's remains = 35
• 3.3 1848 = 36
• 3.4 Louis-Napoleon becomes Emperor = 38
• 3.5 The Franco-Prussian war = 40
• 3.6 The Commune = 43
• 4. Topographical = 51
• 4.1 The journey to Paris = 51
• 4.2 A city in transition = 56
• 4.3 Paris pre-Haussmann = 59
• 4.4 Haussmannization = 62
• 4.5 British reactions to Haussmannization = 64
• 4.6 Accommodation = 68
• 5. Sensational Paris = 75
• 5.1 Spectacular Paris = 76
• 5.2 The city of deadly frissons = 88
• 6. Socializing in Paris = 98
• 6.1 Sociability and gender = 98
• 6.2 Socializing with the French = 104
• 6.3 The British Embassy = 106
• 7. The salons = 112
• 7.1 The cultural practices of the salon = 112
• 7.2 The decline of the salons = 119
• 7.3 The salon's moral ambience = 123
• 7.4 British salonnières = 129
• 7.5 The significance of the salon for British writers = 137
• PART Ⅱ. ANGLOPHONE JOURNALISM IN PARIS
• 8. Press conditions = 143
• 8.1 The print trade = 143
• 8.2 The prestige of the press = 145
• 8.3 Getting news out of Paris = 149
• 8.4 The English newspaper business in Paris = 153
• 9. Who were 'the Paris correspondents'? = 164
• 9.1 Defining a 'Paris correspondent' = 165
• 9.2 Paris, city of transformations = 167
• 9.3 The Irish contingent = 172
• 9.4 The second generation = 175
• 9.5 A question of class = 176
• 9.6 The female correspondent = 179
• 10. The working life of the Paris correspondent = 187
• 10.1 The rewards of the post = 187
• 10.2 The changing role = 188
• 10.3 Versatility, the key to success = 190
• 10.4 The war correspondent = 196
• 10.5 The work-life balance = 198
• 11. Thackeray's debt to the print world of Paris = 204
• 11.1 The nature of the claim = 204
• 11.2 Previous interpretive models = 207
• 11.3 Finding a distinctive voice = 211
• 11.4 Learning from the French press = 215
• 11.5 Adapting French genres for the English market = 222
• PART Ⅲ. THE FICTIONAL FORMATTING OF PARIS
• 12. The democratization of British fiction = 245
• 12.1 The significance of democratization = 245
• 12.2 The use of the French language in fiction representing Paris = 246
• 13. Fictional subgenres = 253
• 13.1 A narrow fictional palette = 253
• 13.2 Paris à la Corinne = 255
• 13.3 The novel as guidebook = 260
• 13.4 The silver-fork novel = 264
• 13.5 Crime fiction = 266
• 13.6 The historical novel = 272
• 14. Stereotype and prejudice = 276
• 14.1 Comparative structures = 277
• 14.2 Religious prejudice = 280
• 14.3 The wickedness of Paris = 286
• 14.4 The Bohemian = 292
• 14.5 Epilogue = 295
• Works cited = 297
• Index = 315