작법무(作法舞)의 연원(淵源)과 기능(機能)에 대(對)한 고찰(考察) ―경산제(京山制)를 중심(中心)으로― = Research for the origins and functions of the Jakbeopmu -focused on Kyongsanjae-

다국어 초록 (Multilingual Abstract)

We call the character of Buddhism ``普化應同`` and its meaning is similar to ``和光同塵``. This character of Buddhism and the national sentiment of loving songs and dances make the Korean buddhist ceremony unique and ``Jakbeopmu`` shows these kind of characteristics. So we need a buddhist view point to understand ``Jakbeopmu``. Though ``Bompae`` is one of the very important three songs in Korean music, we consider it to be the song without general similarity to other songs and in the case of ``Jakbeopmu``, We consider it to be the same as ``Bompae``. It is the dance without general similarity to other dances. The poet and zen priest ``Sunwolkuanhyu`` in the Tang dynasty depicted the scene of ``Muae dance`` like this in his poetry. ``...motion of two sleeves is to be free from two kinds of anxiety and lifting feet three times is to step beyond the secular world....`` ``Jakbeopmu`` is not for external beauty but for internal spirit. and we cannot find out the origin of it because there is no formal record. so in this paper, the origin of ``Jakbeopmu`` is deduced on the basis of its characteristics through the inductive method. ``Boepgomu`` is performed at the beginning or the ending of ceremony and its active motion of dancing is similar to ``Whanhigo`` which informed the world of the birth of Siddhartha. So ``Whanhigo`` is considered to be the origin of ``Beopgomu``. ``Baramu`` is performed to the lylics of ``dharani`` and the accuracy is very important to ``dharani``. so the origin and the purpose of ``Baramu`` is to upgrade the accuracy of ``dharani``. In the case of ``chakbokmu``, clothes for the dance is embroidered robe and the performers who wear the robe are ``Chunin`` at ``Jangsuchun``. It means that the performing place is a place where the wisdom of truth is delivered. It is also found out that maintenance of zen attitude is very important to performing the ``chakbokmu`` and the ``Baramu`` and it prevents the transformation of ``Jakbeopmu`` on Kyongsanjae. In addition, it is found out that ``Sabangyosin`` and ``Yojapbara`` play a role like Act or Scene in the play. In the case of ``Tajumu``, Keeping the attitude of monk itself in mind is necessary to proceed with the Offering-Meal harmoniously and the attitude is from the Noble Eightfold Path in Agama. The instrument of ``Baekchu`` is made to inform the world of the attitude and it leads us to ``Prajna`` the state of Emptiness and then to the real state of the true reality of ``Lotus sutra``. I anticipate that there will be some chemical changes to understand the ``Jakbeopmu`` and the Korean culture on the basis of this research because just one droplet of sea water can contain all the taste of the ocean.