고전의 근대적 재생산과 최남선의 국한문체 글쓰기: 「조선광문회고백(朝鮮光文會告白)」 검토 = Materials : The Modern Reproducing of Classics and Choe Namson`s Korean-Chinese Style: About Josongwangmunhoe Booklet

다국어 초록 (Multilingual Abstract)

As a manifesto for reserving Korean classics based upon pre-modern tradition, Josongwangmunhoe booklet is also merged with the modern knowledge industry. Choe Namson, the writer of the booklet, for the sake of national identity, manifests the reservation and the reproduction of pre-modern Korean classics can be achieved through the capitalistic knowledge industry and mass media. The essence of Gwnagmunhoe agenda is the establishment of membership publishing company open to the general public, proposing the mass publication of Korean classics only distributed to a few aristocrat and literati in Joson dynasty. In early modern Korea, Korean classics rare volume, representing Korean tradition, must be incorporated into modern market. Therefore, the writing of the booklet is the active respond for the transition period of early modern Korea and rhetoric consolation to the ruthless phase of ages destructs the past value-system. The core of Choe`s rhetoric is Korean-Chinese style and his writing is sympathetic solace to the general public under the Japanese military government in 1910s. To comtemporary Korean, the rhetoric power of his Korean-Chinese style is no longer evocative but in early modern colonial Korea, the pathos of his style, reminding the Korean Classical Chinese tradition, is powerful media. His style is the outcome by unique and a sort of bilingual rhetoric efforts through Hangul writing and Korean-Chinese writing based Classical Chinese tradition. With writing talent and administrating ability, Choe can be the hub of Korean intellectual society and the bridge between traditional literati and modern intellects in 1910s Korea.

참고문헌 (Reference)

1 최혜주, "한말 일제하 재조일본인의 조선고서 간행작업, 최남선 다시 읽기" 현실문화 2009

2 "한국역사정보통합시스템"

3 이기백, "한국역대사론선" 새문사 1993

4 "한국고전종합DB"

5 한기형, "최남선의 잡지 발간과 초기 근대문학의 재편-『소년』, 『청춘』의 문학사적 역할과 위상" 대동문화연구원 11 (11): 221-260, 2004

6 "청춘"

7 박진영, "창립 무렵의 신문관(新文館)" 국제한국문학문화학회 (7) : 9-46, 2009

8 "조선광문회광고백"

9 박헌호, "작가의 탄생과 근대문학의 재생산 제도" 소명출판 2008

10 "육당최남선전집" 역락 2005

11 "육당최남선전집" 현암사 1973

12 권두연, "신문관 출판활동의 구조적 특성에 관한 연구(1) －인쇄부와 판매부를 중심으로－" 한국문학연구학회 (40) : 221-263, 2010

13 "소년"

14 한기형, "근대잡지와 근대문학 형성의 제도적 연관-1910년대 최남선과 竹內錄之助의 활동을 중심으로" 대동문화연구원 (48) : 33-71, 2004

15 김상국, "與王雲樵書, 黃梅泉 및 關聯人士 文墨萃編 上" 미래문화사 1985

16 오영섭, "朝鮮光文會 硏究" 한국사학사학회 (3) : 79-140, 2001

17 임상석, "『시문독본』의 편찬 과정과 1910년대 최남선의 출판 활동" 상허학회 25 : 33-53, 2009

18 임상석, "20세기 국한문체의 형성과정" 지식산업사 2008