Chaucer’s story-telling techniques, employed in the basic plot of a popular tale, demand the audience’s intellect and imagination in ferreting out meaning or what might be seen as genuine authorial intention. Chaucer’s eschewing of an authorial ...
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다국어 초록 (Multilingual Abstract)
Chaucer’s story-telling techniques, employed in the basic plot of a popular tale, demand the audience’s intellect and imagination in ferreting out meaning or what might be seen as genuine authorial intention. Chaucer’s eschewing of an authorial ...
Chaucer’s story-telling techniques, employed in the basic plot of a popular tale, demand the audience’s intellect and imagination in ferreting out meaning or what might be seen as genuine authorial intention. Chaucer’s eschewing of an authorial role as an absolute guide to meaning and his encouraging of a reader’s cooperation in filling in the narrative halfway narrated or in making a judgment in the unsettling moments are frequently observed in The Book of Duchess. The Book of Duchess serves as the testing ground for Chaucer’s later writings, especially, the Canterbury Tales, in the light of tale and tale-telling.
The Book of Duchess is extraordinarily indirect in its style of conveying its meaning to a reader, because of its poetic structure characteristic of postponement and dilation. Such structural qualities that mark the Book of Duchess as most truly Chaucer’s anticipate the direction of his creations as whole. Together with Chaucer’s devious, roundabout approach to the theme of the tale by employing the delicate framework, the combination of “heterogeneous elements” or “opposites” is the storytelling method that serves as the rationale for his poem. In The Book of Duchess, these strategies. causing the effect of indeterminacy and semantic openendedness, are closely related to the audience's critical and active response.
참고문헌 (Reference)
1 Cherniss, Michael D., "The Narrator Asleep and Awake in Chaucer’s Book of the Duchess" 8 (8): 115-126, 1972
2 Bakhtin, Mikhail, "The Dialogic Imagination" U of Texas P 1981
3 Jordan, Robert, "The Compositional Structure of The Book of The Duchess" 9 (9): 99-117, 1974
4 Chaucer, Geoffrey, "The Canterbury Tales. The Riverside Chaucer" Houghton Mifflin 1987
5 Philips, Helen, "Structure and Consolation in the Book of the Duchess" 16 (16): 107-118, 1981
6 Peck, Russell A., "Silent Poetry: Essay in Numerological Analysis" Routledge 73-115, 1970
7 Nolan, Barbara., "New Perspectives in Chaucer Criticism" Pilgrim Books 1981
8 Walker, Denis, "Narrative Inconclusiveness and Consolatory Dialectic in The Book of the Duchess" 18 (18): 1-17, 1983
9 Stevens, Martin, "Narrative Focus in The Book of the Duchess : A Critical Revaluation" 7 (7): 16-32, 1966
10 Propp, Vladmir., "Morphology of the Folktale" U of Texas P 1968
1 Cherniss, Michael D., "The Narrator Asleep and Awake in Chaucer’s Book of the Duchess" 8 (8): 115-126, 1972
2 Bakhtin, Mikhail, "The Dialogic Imagination" U of Texas P 1981
3 Jordan, Robert, "The Compositional Structure of The Book of The Duchess" 9 (9): 99-117, 1974
4 Chaucer, Geoffrey, "The Canterbury Tales. The Riverside Chaucer" Houghton Mifflin 1987
5 Philips, Helen, "Structure and Consolation in the Book of the Duchess" 16 (16): 107-118, 1981
6 Peck, Russell A., "Silent Poetry: Essay in Numerological Analysis" Routledge 73-115, 1970
7 Nolan, Barbara., "New Perspectives in Chaucer Criticism" Pilgrim Books 1981
8 Walker, Denis, "Narrative Inconclusiveness and Consolatory Dialectic in The Book of the Duchess" 18 (18): 1-17, 1983
9 Stevens, Martin, "Narrative Focus in The Book of the Duchess : A Critical Revaluation" 7 (7): 16-32, 1966
10 Propp, Vladmir., "Morphology of the Folktale" U of Texas P 1968
11 Huppe, Bernard F, "Fruyt and Chaf : Studies in Chaucer’s Allegories" Princeton UP 1963
12 Delasanta, Rodney, "Christian Affirmation in The Book of Duchess" 84 (84): 245-251, 1969
13 Ebel, Julia G., "Chaucer’s The Book of the Duchess : A Study in Medieval Iconography and Literary Structure" 29 (29): 197-206, 1967
14 Severs, Burke, "Chaucer’s Self-Portrait in the Book of the Duchess" 43 (43): 27-39, 1964
15 Muscatine, Charles, "Chaucer and the French Tradition" U of California P 1957
16 Koff, Leonard Michael, "Chaucer and the Art of Story-telling" U of California P 1988
17 Fyler, John, "Chaucer and Ovid" Yale UP 1979
18 Preston, Raymond, "Chaucer" Sheed and Ward 1952
식민지 근대 도시의 소외 계층에 대한 현실적 투사와 그 전복적 비전 제시: 제임스 조이스의『더블린 사람들』과박태원의『천변풍경』
정보 시대 초국가적 미디어의 재현과 지식/앎: 루쓰 L. 오제키의 『나의 고기 해』
Multiple Agree to Double Objects in English
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | ![]() |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | ![]() |
2014-01-13 | 학술지명변경 | 한글명 : Journal of British & American Studies -> 영미연구외국어명 : 미등록 -> Journal of British & American Studies | ![]() |
2013-01-01 | 평가 | 등재 1차 FAIL (등재유지) | ![]() |
2010-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | ![]() |
2009-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | ![]() |
2008-01-01 | 평가 | 등재후보 1차 FAIL (등재후보1차) | ![]() |
2007-01-01 | 평가 | 등재후보학술지 유지 (등재후보1차) | ![]() |
2005-01-01 | 평가 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.17 | 0.17 | 0.18 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.16 | 0.15 | 0.462 | 0.15 |